"I'm developing artists for my new record label, my son's band, Intangible, being one of them"
About this Quote
It lands like a casual industry update, but the real move is the quiet reframing of legacy. Gary Wright isn’t selling a vision of stardom here; he’s placing himself in the less glamorous but more powerful role of builder. “Developing artists” is the phrase labels use when they’re trying to sound patient, long-term, almost pastoral. Coming from a musician best known for his own era-defining hits, it reads as a pivot from being the product to shaping the pipeline.
Then comes the twist: “my son’s band… being one of them.” That’s where the sentence stops being neutral. Wright folds family into commerce with an offhand confidence, as if nepotism is simply logistics. The subtext isn’t apologetic; it’s pragmatic. In music, “connections” are the water supply, and he’s acknowledging the most intimate connection of all while still insisting it fits inside a broader roster (“one of them,” not the only one). That plural matters: it’s a preemptive defense against the eye-roll, a signal that he wants credibility as a label guy, not just a supportive dad with stationery.
Contextually, it reflects an older musician’s late-career recalibration. After you’ve lived through major-label booms, format collapses, and the endless reinvention of “the next big thing,” starting a label can be less about chasing relevance than controlling the handoff. Wright’s intent feels like stewardship: keeping craft, taste, and opportunity circulating, with his own family as the nearest proof of concept.
Then comes the twist: “my son’s band… being one of them.” That’s where the sentence stops being neutral. Wright folds family into commerce with an offhand confidence, as if nepotism is simply logistics. The subtext isn’t apologetic; it’s pragmatic. In music, “connections” are the water supply, and he’s acknowledging the most intimate connection of all while still insisting it fits inside a broader roster (“one of them,” not the only one). That plural matters: it’s a preemptive defense against the eye-roll, a signal that he wants credibility as a label guy, not just a supportive dad with stationery.
Contextually, it reflects an older musician’s late-career recalibration. After you’ve lived through major-label booms, format collapses, and the endless reinvention of “the next big thing,” starting a label can be less about chasing relevance than controlling the handoff. Wright’s intent feels like stewardship: keeping craft, taste, and opportunity circulating, with his own family as the nearest proof of concept.
Quote Details
| Topic | Music |
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