"I'm getting too old to play some parts, but I'm still greedy"
About this Quote
Aging, in Max von Sydow's hands, isn’t a tragedy; it’s a negotiation. The line lands because it pairs two things polite culture tries to keep separate: the sober fact of physical limitation and the impolite appetite to keep taking up space. “Too old to play some parts” is the industry’s euphemism turned inside out. It’s not just about knees and stamina; it’s about a casting economy that treats older actors as either nobility (the wise mentor) or décor (the grandfather), rarely as the messy center of a story.
Then he swerves: “but I’m still greedy.” Greedy for what? Work, yes, but also range, risk, relevance. Coming from an actor who spent decades moving between Bergman’s existential chambers and Hollywood spectacle, the word reads as a refusal to become a museum piece. It’s a sly admission that acting isn’t merely craft or art; it’s also hunger - for roles, for visibility, for the next room to enter and dominate.
The humor is dry, almost Scandinavian in its understatement, but it carries a quiet provocation. We’re supposed to applaud graceful exit strategies, the tasteful fade-out. Von Sydow admits the opposite: he wants more. The subtext is a critique of an industry that frames ambition as admirable in the young and unseemly in the old. By calling it greed, he disarms moral judgment, claiming desire as honest rather than inspirational. It’s a veteran’s wink: limitation is real; surrender is optional.
Then he swerves: “but I’m still greedy.” Greedy for what? Work, yes, but also range, risk, relevance. Coming from an actor who spent decades moving between Bergman’s existential chambers and Hollywood spectacle, the word reads as a refusal to become a museum piece. It’s a sly admission that acting isn’t merely craft or art; it’s also hunger - for roles, for visibility, for the next room to enter and dominate.
The humor is dry, almost Scandinavian in its understatement, but it carries a quiet provocation. We’re supposed to applaud graceful exit strategies, the tasteful fade-out. Von Sydow admits the opposite: he wants more. The subtext is a critique of an industry that frames ambition as admirable in the young and unseemly in the old. By calling it greed, he disarms moral judgment, claiming desire as honest rather than inspirational. It’s a veteran’s wink: limitation is real; surrender is optional.
Quote Details
| Topic | Aging |
|---|---|
| Source | Help us find the source |
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