"I'm hoping that I'll be able to find a distributor to come into Canada with it, because I think it is a wild and crazy romp that really tells things like it is"
About this Quote
Burt Ward’s line has the breezy hustle of an actor trying to smuggle a grin across a border. The key move is in the framing: he’s not just describing a project, he’s pitching a mood - “wild and crazy romp” - while simultaneously insisting on credibility: it “really tells things like it is.” That mash-up is pure showbiz alchemy, selling spectacle and truth in the same breath, as if the fun is the delivery system for candor.
Ward’s context matters. As the forever face of 1960s Batman’s bright, knowing camp, he’s fluent in entertainment that winks at the audience while pretending to be straight-faced. Here, “tells things like it is” reads less like investigative realism and more like a promise of unfiltered, maybe slightly taboo honesty - the kind that feels daring because it’s packaged as a romp. It’s a classic tactic: make the medicine taste like candy, then claim the candy is, actually, the medicine.
The distribution angle adds another layer. He’s talking about Canada not as a cultural peer but as a market gatekept by industry logistics. So the subtext isn’t only artistic; it’s access and legitimacy. “Hoping” signals vulnerability, but it’s strategic vulnerability: a public nudge to potential distributors, and a way of pre-empting rejection by casting it as bureaucracy, not taste.
The quote reveals an artist navigating the uneasy marriage of candor and commerce, where “truth” becomes both a creative stance and a sales hook.
Ward’s context matters. As the forever face of 1960s Batman’s bright, knowing camp, he’s fluent in entertainment that winks at the audience while pretending to be straight-faced. Here, “tells things like it is” reads less like investigative realism and more like a promise of unfiltered, maybe slightly taboo honesty - the kind that feels daring because it’s packaged as a romp. It’s a classic tactic: make the medicine taste like candy, then claim the candy is, actually, the medicine.
The distribution angle adds another layer. He’s talking about Canada not as a cultural peer but as a market gatekept by industry logistics. So the subtext isn’t only artistic; it’s access and legitimacy. “Hoping” signals vulnerability, but it’s strategic vulnerability: a public nudge to potential distributors, and a way of pre-empting rejection by casting it as bureaucracy, not taste.
The quote reveals an artist navigating the uneasy marriage of candor and commerce, where “truth” becomes both a creative stance and a sales hook.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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