"I'm hoping that with the high profile that the Go-Go's are going to have over the next year, that if anybody is interested in what else I do, I'll have something I can say that I do"
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It lands like a shrug that’s also a flare: Kathy Valentine is talking about fame the way working musicians actually experience it, as a temporary weather system you try to plant something in before it moves on. The Go-Go’s “high profile” is framed less as victory lap than as borrowed light, a window in which attention might spill over into the rest of her life. That’s the intent: use the band’s renewed visibility as leverage, not for ego, but for agency.
The sly sting is in the last clause: “I’ll have something I can say that I do.” She’s not saying she wants to do more; she’s saying she wants to be able to name it, to claim it out loud in a culture that turns women in bands into fixed images. There’s a quiet critique of the way the industry freezes people at their most marketable moment, then acts surprised when they have ambitions outside the frame. Valentine isn’t just hoping for opportunities; she’s anticipating the question every legacy artist gets - what are you doing now? - and refusing to be caught empty-handed by someone else’s definition of relevance.
Context matters here. The Go-Go’s occupy a special kind of canon: iconic, often flattened into nostalgia, their story retold as a neat breakthrough narrative. Valentine’s line pushes back against that tidy packaging. It’s pragmatic, a little defensive, and very human: if the spotlight swings her way, she wants to have built something worth pointing to, not just a past worth replaying.
The sly sting is in the last clause: “I’ll have something I can say that I do.” She’s not saying she wants to do more; she’s saying she wants to be able to name it, to claim it out loud in a culture that turns women in bands into fixed images. There’s a quiet critique of the way the industry freezes people at their most marketable moment, then acts surprised when they have ambitions outside the frame. Valentine isn’t just hoping for opportunities; she’s anticipating the question every legacy artist gets - what are you doing now? - and refusing to be caught empty-handed by someone else’s definition of relevance.
Context matters here. The Go-Go’s occupy a special kind of canon: iconic, often flattened into nostalgia, their story retold as a neat breakthrough narrative. Valentine’s line pushes back against that tidy packaging. It’s pragmatic, a little defensive, and very human: if the spotlight swings her way, she wants to have built something worth pointing to, not just a past worth replaying.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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