"I'm hostile to men, I'm hostile to women, I'm hostile to cats, to poor cockroaches, I'm afraid of horses"
About this Quote
Hostility here isn’t a worldview so much as a performance of psychic weather: brash, comic, and slightly ugly in a way Mailer knew could keep a room’s attention. The line works because it escalates like a rant that can’t decide whether it’s confession or bit. “Men” and “women” establishes a sweeping misanthropy, then the pivot to “cats” and “poor cockroaches” undercuts the grand pose with petty, almost slapstick irritations. By the time he lands on “I’m afraid of horses,” the hostility has curdled into vulnerability. Fear breaks the rhythm of swagger, exposing the body beneath the ego.
Mailer’s specific intent is to dramatize a temperament: the writer as volatile instrument, too keyed up to be polite, too self-aware to be purely sincere. The subtext is less “I hate everything” than “I’m hard to live with, and I know it.” He’s also laying down a familiar Mailer gambit: masculinity as spectacle. Declaring hostility toward both genders reads like a refusal of ordinary allegiance; it’s an attempt to stand outside social bargaining altogether. But the inclusion of “poor cockroaches” is telling - a tiny flare of tenderness threaded into contempt, implying that even his aggression has a conscience it can’t fully silence.
Contextually, this fits the mid-century Mailer persona: the celebrity novelist who turned self into content, alternating between provocation and self-indictment. In an era when literary authority was often sold as hardness, he pushes hardness to absurdity, letting the joke reveal the cost. The punchline isn’t the animals. It’s him.
Mailer’s specific intent is to dramatize a temperament: the writer as volatile instrument, too keyed up to be polite, too self-aware to be purely sincere. The subtext is less “I hate everything” than “I’m hard to live with, and I know it.” He’s also laying down a familiar Mailer gambit: masculinity as spectacle. Declaring hostility toward both genders reads like a refusal of ordinary allegiance; it’s an attempt to stand outside social bargaining altogether. But the inclusion of “poor cockroaches” is telling - a tiny flare of tenderness threaded into contempt, implying that even his aggression has a conscience it can’t fully silence.
Contextually, this fits the mid-century Mailer persona: the celebrity novelist who turned self into content, alternating between provocation and self-indictment. In an era when literary authority was often sold as hardness, he pushes hardness to absurdity, letting the joke reveal the cost. The punchline isn’t the animals. It’s him.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Help us find the source |
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