"I'm in a little bit of a different situation, because working in the business that I do and living in the city that I live in, I haven't had a problem with people who are gay. Since I was 10 I've been working alongside them, and some of my best friends are gay"
About this Quote
Bateman’s sentence is doing the careful, Hollywood two-step: staking out tolerance while insulating himself from the uglier parts of the fight. “I’m in a little bit of a different situation” isn’t just scene-setting; it’s a preemptive defense. He’s telling you his worldview comes from proximity to gay colleagues and friends, and he’s asking that proximity to count as credibility.
The phrasing reveals the era’s cultural posture: acceptance framed as personal comfort. “I haven’t had a problem with people who are gay” positions queerness as something that might reasonably be “a problem” for others, but not for him. It’s a low bar, delivered as a character reference. Then comes the familiar shield, “some of my best friends are gay,” the social equivalent of a receipt. He’s not arguing for rights so much as narrating his own decency.
The subtext is industry-specific. In entertainment, where gay people have long been essential and often closeted, “since I was 10 I’ve been working alongside them” signals a kind of apprenticeship in cosmopolitanism: I grew up in a world where this is normal. That’s sincere, and it’s also strategic. It shifts the conversation from policy and prejudice to personal biography, where the stakes are reputational, not political.
What makes the quote work is its conversational modesty. Bateman doesn’t posture as an activist; he frames acceptance as the natural byproduct of shared work and friendship. Its limitation is the same: it treats equality as a vibe you pick up in the right zip code, not a standard you defend when the room changes.
The phrasing reveals the era’s cultural posture: acceptance framed as personal comfort. “I haven’t had a problem with people who are gay” positions queerness as something that might reasonably be “a problem” for others, but not for him. It’s a low bar, delivered as a character reference. Then comes the familiar shield, “some of my best friends are gay,” the social equivalent of a receipt. He’s not arguing for rights so much as narrating his own decency.
The subtext is industry-specific. In entertainment, where gay people have long been essential and often closeted, “since I was 10 I’ve been working alongside them” signals a kind of apprenticeship in cosmopolitanism: I grew up in a world where this is normal. That’s sincere, and it’s also strategic. It shifts the conversation from policy and prejudice to personal biography, where the stakes are reputational, not political.
What makes the quote work is its conversational modesty. Bateman doesn’t posture as an activist; he frames acceptance as the natural byproduct of shared work and friendship. Its limitation is the same: it treats equality as a vibe you pick up in the right zip code, not a standard you defend when the room changes.
Quote Details
| Topic | Friendship |
|---|---|
| Source | Help us find the source |
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