"I'm interested in raw land and trees and fresh air and rivers and lots of animals around them"
About this Quote
There’s a quiet defiance in Kent McCord’s shopping list of “raw land and trees and fresh air and rivers and lots of animals.” It reads like a man refusing the usual celebrity script: the square footage flex, the curated view, the status-coded zip code. Instead, he’s describing a withdrawal from performance itself. “Raw” is the tell. It’s not just land; it’s land before it’s been shaped into an amenity, before it’s been flipped, branded, and domesticated. He’s chasing a place that doesn’t need him to narrate it.
The intent feels plainspoken, almost stubbornly unglamorous: a desire for space, privacy, and sensory clarity. But the subtext carries a second frequency. For an actor, whose working life is built on sets, marks, and artificial weather, “fresh air” is more than outdoorsy preference; it’s a small rebuke of the manufactured. Rivers and animals aren’t decorations in this sentence. They’re evidence of a world that continues without human direction, a counterweight to a career spent inside controlled realities.
Contextually, McCord’s generation came of age alongside postwar expansion and the mass suburban promise, then watched that promise fray into congestion, noise, and environmental loss. The quote lands like a personal re-sorting of values: not anti-modern so much as pro-unmediated. It’s less “back to nature” romance than a bid for a life where the background is finally real, and the quiet isn’t something you have to act.
The intent feels plainspoken, almost stubbornly unglamorous: a desire for space, privacy, and sensory clarity. But the subtext carries a second frequency. For an actor, whose working life is built on sets, marks, and artificial weather, “fresh air” is more than outdoorsy preference; it’s a small rebuke of the manufactured. Rivers and animals aren’t decorations in this sentence. They’re evidence of a world that continues without human direction, a counterweight to a career spent inside controlled realities.
Contextually, McCord’s generation came of age alongside postwar expansion and the mass suburban promise, then watched that promise fray into congestion, noise, and environmental loss. The quote lands like a personal re-sorting of values: not anti-modern so much as pro-unmediated. It’s less “back to nature” romance than a bid for a life where the background is finally real, and the quiet isn’t something you have to act.
Quote Details
| Topic | Nature |
|---|---|
| Source | Help us find the source |
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