"I'm into women. I've always loved women"
About this Quote
There’s a defensive simplicity to “I’m into women. I’ve always loved women” that reads less like flirtation and more like crisis management. David Gest wasn’t just a celebrity; he was a celebrity-about-celebrity, a producer and fixture whose public identity often traveled in the slipstream of bigger stars and bigger gossip. In that ecosystem, your private life isn’t private so much as a rolling storyline, and desire becomes something you’re expected to clarify on demand.
The repetition is the tell. “Into women” is blunt, present-tense, almost transactional; “always loved women” tries to backfill it with warmth and history, as if longevity can outvote rumor. The phrasing doesn’t leave much room for complexity or fluidity. It’s not “I’m attracted to…” or “I’ve dated…” but an emphatic declaration meant to shut down a specific question: are you gay, bi, something else, or simply not legible to the tabloid imagination?
Subtextually, it’s also a plea to be seen as normal in a very particular, dated way. Coming from a man whose look, mannerisms, and marriage to Liza Minnelli were endlessly analyzed, the line functions like a press release in human form: short, quotable, and built to be replayed without context. That’s why it “works” as celebrity speech. It’s not about revelation. It’s about containment: drawing a hard boundary around an identity before the culture draws it for you.
The repetition is the tell. “Into women” is blunt, present-tense, almost transactional; “always loved women” tries to backfill it with warmth and history, as if longevity can outvote rumor. The phrasing doesn’t leave much room for complexity or fluidity. It’s not “I’m attracted to…” or “I’ve dated…” but an emphatic declaration meant to shut down a specific question: are you gay, bi, something else, or simply not legible to the tabloid imagination?
Subtextually, it’s also a plea to be seen as normal in a very particular, dated way. Coming from a man whose look, mannerisms, and marriage to Liza Minnelli were endlessly analyzed, the line functions like a press release in human form: short, quotable, and built to be replayed without context. That’s why it “works” as celebrity speech. It’s not about revelation. It’s about containment: drawing a hard boundary around an identity before the culture draws it for you.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
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