"I'm learning a lot about myself being alone, and doing what I'm doing"
About this Quote
There is a quiet defiance in Kreviazuk's line, the kind that only lands because it refuses to be inspirational wallpaper. "I'm learning a lot about myself" is the familiar self-help cadence, but she sharpens it with two phrases that complicate the comfort: "being alone" and "doing what I'm doing". This isn't solitude as aesthetic - it's isolation as a working condition, a cost of the job, and maybe a consequence of choosing it anyway.
As a musician, "alone" reads as both literal and professional: tour buses, hotel rooms, late-night writing sessions where the only collaborator is your own doubt. The subtext is that identity doesn't arrive through branding or audience feedback; it gets stress-tested in the offstage hours when no one is clapping. That makes the second clause - "doing what I'm doing" - quietly radical. She doesn't name it (fame, motherhood, artistry, survival, reinvention), which lets the phrase hold multiple pressures at once: the grind of making art, the scrutiny that comes with visibility, the private compromises that keep a career alive.
The sentence structure matters. It's present-tense, ongoing: "I'm learning", not "I've learned". That undercuts the tidy narrative of personal growth and replaces it with something more honest, more adult - self-knowledge as a moving target. The intent feels less like a statement to the public than a note to herself: keep going, even if the room is empty, even if the work doesn't look like anyone else's.
As a musician, "alone" reads as both literal and professional: tour buses, hotel rooms, late-night writing sessions where the only collaborator is your own doubt. The subtext is that identity doesn't arrive through branding or audience feedback; it gets stress-tested in the offstage hours when no one is clapping. That makes the second clause - "doing what I'm doing" - quietly radical. She doesn't name it (fame, motherhood, artistry, survival, reinvention), which lets the phrase hold multiple pressures at once: the grind of making art, the scrutiny that comes with visibility, the private compromises that keep a career alive.
The sentence structure matters. It's present-tense, ongoing: "I'm learning", not "I've learned". That undercuts the tidy narrative of personal growth and replaces it with something more honest, more adult - self-knowledge as a moving target. The intent feels less like a statement to the public than a note to herself: keep going, even if the room is empty, even if the work doesn't look like anyone else's.
Quote Details
| Topic | Self-Improvement |
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