"I'm more influenced by my own interests than anyone else's. Writers have to entertain themselves, or they can't entertain anyone else"
About this Quote
There is a quiet rebuke in Hamiltons line: the idea that writers should chase the market, the MFA consensus, the algorithm, the tasteful approval of other writers. She flips that pressure into a craft principle. If the work doesnt first spark the person doing the labor, it wont survive the long, lonely middle where books are actually made. The intent is pragmatic, almost workmanlike: protect your curiosity, because it is the only fuel that reliably shows up every day.
The subtext is also a defense of genre, and of her own career. Hamilton built a huge audience in urban fantasy by leaning hard into what she wanted to read - messy desire, moral ambiguity, power dynamics, danger with glitter on it. Saying shes influenced most by her interests is a way of reframing accusations of indulgence as discipline. Self-entertainment, here, isnt narcissism; its an internal quality-control test. Boredom is the earliest and most honest editor.
Context matters: Hamilton writes in a world where fan communities are loud, feedback is immediate, and expectations can harden into entitlement. Her claim draws a boundary: the writer is not a service worker for other peoples headcanons. Yet she also makes a sly promise. When a writer is chasing their own fascination, the energy transfers. Readers can feel when a scene is written to satisfy a checklist versus to satisfy a pulse.
Its a statement about authenticity, but not the sentimental kind. Its about stamina, risk, and the bracing truth that craft starts as private pleasure before it becomes public product.
The subtext is also a defense of genre, and of her own career. Hamilton built a huge audience in urban fantasy by leaning hard into what she wanted to read - messy desire, moral ambiguity, power dynamics, danger with glitter on it. Saying shes influenced most by her interests is a way of reframing accusations of indulgence as discipline. Self-entertainment, here, isnt narcissism; its an internal quality-control test. Boredom is the earliest and most honest editor.
Context matters: Hamilton writes in a world where fan communities are loud, feedback is immediate, and expectations can harden into entitlement. Her claim draws a boundary: the writer is not a service worker for other peoples headcanons. Yet she also makes a sly promise. When a writer is chasing their own fascination, the energy transfers. Readers can feel when a scene is written to satisfy a checklist versus to satisfy a pulse.
Its a statement about authenticity, but not the sentimental kind. Its about stamina, risk, and the bracing truth that craft starts as private pleasure before it becomes public product.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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