"I'm not a great believer in awards-of course the fact that I've never won one has nothing to do with it at all!"
About this Quote
Awards are supposed to be the culture industry’s polite way of turning taste into a scorecard, and Banks is too sly to pretend he hasn’t noticed the hustle. The line works because it performs a double act: it disavows the whole prestige economy while openly confessing the most human motive for doing so. That quick pivot - “of course” to “nothing to do with it at all!” - is the tell. He’s not arguing against prizes like a scold; he’s needling the ritual itself, where everyone must publicly insist they’re above the game even as they watch the leaderboard.
The intent is defensive and mischievous at once. Banks is inoculating himself against the predictable narrative of the “snubbed” author without having to swallow the alternative narrative of the grateful nominee. The joke lets him keep his dignity while admitting to bruised ego in the only acceptable way: as comedy. There’s also a sharper critique tucked inside the self-deprecation. If awards are so authoritative, why do they need this much theater around not caring?
Context matters because Banks straddled worlds that prizes often police: literary fiction and science fiction. His work (including the Culture novels) earned devotion and influence that don’t always translate into establishment medals. The subtext: institutions lag; readers don’t. By making himself the punchline, he exposes the arbitrariness of cultural gatekeeping without sounding bitter - and that’s the trick: wit as a pressure valve for resentment, and as a quiet assertion that the work will outlast the trophies.
The intent is defensive and mischievous at once. Banks is inoculating himself against the predictable narrative of the “snubbed” author without having to swallow the alternative narrative of the grateful nominee. The joke lets him keep his dignity while admitting to bruised ego in the only acceptable way: as comedy. There’s also a sharper critique tucked inside the self-deprecation. If awards are so authoritative, why do they need this much theater around not caring?
Context matters because Banks straddled worlds that prizes often police: literary fiction and science fiction. His work (including the Culture novels) earned devotion and influence that don’t always translate into establishment medals. The subtext: institutions lag; readers don’t. By making himself the punchline, he exposes the arbitrariness of cultural gatekeeping without sounding bitter - and that’s the trick: wit as a pressure valve for resentment, and as a quiet assertion that the work will outlast the trophies.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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