"I'm not pessimistic about people in general, but only about the way they live"
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Chabrol’s line splits humanity from habit, and that distinction is the whole moral engine of his cinema. He refuses the cheap comfort of either misanthropy (people are rotten) or naïve humanism (people are basically good). Instead, he aims his pessimism at the scripts people follow: the routines, social bargains, and self-justifying narratives that turn ordinary life into a quiet accomplice to cruelty.
The phrasing matters. “Not pessimistic about people” is a gesture of mercy; “only about the way they live” is the blade. It suggests that the problem isn’t some innate depravity but the everyday architecture of choices: what gets normalized, what gets laughed off, what gets called “just how things are.” For a director associated with dissecting the French bourgeoisie, this reads like a manifesto. The bourgeois world isn’t condemned because it’s uniquely evil, but because it’s uniquely skilled at laundering violence through manners, comfort, and plausible deniability. You can be decent and still participate in indecency if your life is arranged to reward looking away.
There’s also a filmmaker’s pragmatism buried in it. Chabrol is saying: don’t look for monsters; look for lifestyles. Look for the domestic rhythms where power hides in politeness, where complicity is a scheduling issue, where morality gets outsourced to taste and status. His pessimism is less about souls than about systems that make bad living feel like good sense.
The phrasing matters. “Not pessimistic about people” is a gesture of mercy; “only about the way they live” is the blade. It suggests that the problem isn’t some innate depravity but the everyday architecture of choices: what gets normalized, what gets laughed off, what gets called “just how things are.” For a director associated with dissecting the French bourgeoisie, this reads like a manifesto. The bourgeois world isn’t condemned because it’s uniquely evil, but because it’s uniquely skilled at laundering violence through manners, comfort, and plausible deniability. You can be decent and still participate in indecency if your life is arranged to reward looking away.
There’s also a filmmaker’s pragmatism buried in it. Chabrol is saying: don’t look for monsters; look for lifestyles. Look for the domestic rhythms where power hides in politeness, where complicity is a scheduling issue, where morality gets outsourced to taste and status. His pessimism is less about souls than about systems that make bad living feel like good sense.
Quote Details
| Topic | Life |
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