"I'm not really into gothic music, it's not really my type of scene but each to their own. I listen to pretty much anything"
About this Quote
A small, almost throwaway disclaimer that reveals how celebrity taste gets managed in public. Fleeshman isn’t trying to deliver a definitive opinion on gothic music; he’s doing the safer, more modern thing: signaling openness while quietly drawing a boundary. “Not really my type of scene” shifts the judgment away from the music itself and onto personal fit, a tactful dodge that avoids offending fans or sounding snobbish. It’s less critique than self-branding.
The phrase “each to their own” functions like a social airbag. It anticipates backlash and deflates it preemptively: I’m not rejecting you, I’m just not you. In pop-cultural terms, that’s a familiar performance of tolerance, the kind that keeps an actor marketable across different audiences and subcultures. He acknowledges a niche identity (“scene”) without stepping into it, keeping his image broadly legible.
Then comes the classic hedge: “I listen to pretty much anything.” On paper it’s eclecticism; in practice it’s an escape hatch. It avoids the vulnerability of specificity, where taste can be challenged, dated, or interpreted as tribal affiliation. Actors, especially, are expected to be adaptable, and this line mirrors that professional posture: flexible, agreeable, unpinnable. The subtext is less about playlists than about positioning - staying relatable without committing to a camp. It’s politeness as public relations, delivered in the language of personal preference.
The phrase “each to their own” functions like a social airbag. It anticipates backlash and deflates it preemptively: I’m not rejecting you, I’m just not you. In pop-cultural terms, that’s a familiar performance of tolerance, the kind that keeps an actor marketable across different audiences and subcultures. He acknowledges a niche identity (“scene”) without stepping into it, keeping his image broadly legible.
Then comes the classic hedge: “I listen to pretty much anything.” On paper it’s eclecticism; in practice it’s an escape hatch. It avoids the vulnerability of specificity, where taste can be challenged, dated, or interpreted as tribal affiliation. Actors, especially, are expected to be adaptable, and this line mirrors that professional posture: flexible, agreeable, unpinnable. The subtext is less about playlists than about positioning - staying relatable without committing to a camp. It’s politeness as public relations, delivered in the language of personal preference.
Quote Details
| Topic | Music |
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