"I'm not Sammy Glick. I've never killed anyone. I don't have to. I'm too talented"
About this Quote
Geffen’s line lands like a Hollywood knife fight staged in a boardroom: it denies violence while bragging about it. Sammy Glick, the ruthless climber from Budd Schulberg’s What Makes Sammy Run?, is shorthand for a certain kind of American operator - the guy who steps on throats and calls it ambition. Geffen’s first move is to reject that caricature, as if to preserve a self-image of taste, creativity, and legitimacy. Then he swerves: “I’ve never killed anyone. I don’t have to.” The joke is that “killed” is obviously metaphorical in entertainment, where careers die without blood. He’s claiming he wins without dirty work, but the phrasing admits he’s in a world where “killing” is a recognized method.
The kicker, “I’m too talented,” is both swagger and alibi. It frames power as the natural outcome of genius rather than strategy, leverage, or institutional muscle. That’s a classic mogul narrative: if you can sell your dominance as taste and talent, the casualties look like market corrections instead of decisions. Coming from a businessman whose influence ran through music, film, and museums, it’s also a flex about cultural capital - the ability to shape what gets made and who gets heard, while staying just far enough from the mess to seem above it.
The intent isn’t just to brag; it’s to draw a moral boundary without relinquishing the thrill of being feared. The subtext: I’m not the villain you recognize. I’m the more dangerous kind - the one who can call it art.
The kicker, “I’m too talented,” is both swagger and alibi. It frames power as the natural outcome of genius rather than strategy, leverage, or institutional muscle. That’s a classic mogul narrative: if you can sell your dominance as taste and talent, the casualties look like market corrections instead of decisions. Coming from a businessman whose influence ran through music, film, and museums, it’s also a flex about cultural capital - the ability to shape what gets made and who gets heard, while staying just far enough from the mess to seem above it.
The intent isn’t just to brag; it’s to draw a moral boundary without relinquishing the thrill of being feared. The subtext: I’m not the villain you recognize. I’m the more dangerous kind - the one who can call it art.
Quote Details
| Topic | Sarcastic |
|---|
More Quotes by David
Add to List







