"I'm not that ambitious any more. I just like my privacy. I wish I really wasn't talked about at all"
About this Quote
Fame made Barbra Streisand a monument; this line is her trying to slip out the side door.
On its face, it reads like mellowed-out self-knowledge: ambition has cooled, priorities have changed, privacy sounds better than another trophy. But the subtext is sharper, almost paradoxical. “I’m not that ambitious any more” isn’t a renunciation of drive so much as a reframing of what “ambition” means when you’ve already conquered the mountain. At Streisand scale, “more” isn’t a new role; it’s control. Privacy becomes the last unpurchased luxury, the one realm where the audience’s desire can’t be met with another performance.
The second sentence tightens the screws. “I just like my privacy” uses the language of simplicity (“just”) to normalize a need that celebrity culture treats as suspicious or ungrateful. Then she goes for the impossible wish: “I wish I really wasn’t talked about at all.” That’s not naive; it’s a critique. She’s naming the basic violence of fame: other people narrate you for sport, and the narration doesn’t stop when your public output does. The passive construction (“wasn’t talked about”) makes the machine the subject, not the speaker, as if gossip and press have their own weather system.
Context matters: Streisand’s career tracks the shift from studio-era mystique to modern surveillance, from controlled image-making to 24/7 commentary. The quote lands as both exhaustion and boundary-setting, a celebrity admitting the only way to win the attention economy is not to feed it.
On its face, it reads like mellowed-out self-knowledge: ambition has cooled, priorities have changed, privacy sounds better than another trophy. But the subtext is sharper, almost paradoxical. “I’m not that ambitious any more” isn’t a renunciation of drive so much as a reframing of what “ambition” means when you’ve already conquered the mountain. At Streisand scale, “more” isn’t a new role; it’s control. Privacy becomes the last unpurchased luxury, the one realm where the audience’s desire can’t be met with another performance.
The second sentence tightens the screws. “I just like my privacy” uses the language of simplicity (“just”) to normalize a need that celebrity culture treats as suspicious or ungrateful. Then she goes for the impossible wish: “I wish I really wasn’t talked about at all.” That’s not naive; it’s a critique. She’s naming the basic violence of fame: other people narrate you for sport, and the narration doesn’t stop when your public output does. The passive construction (“wasn’t talked about”) makes the machine the subject, not the speaker, as if gossip and press have their own weather system.
Context matters: Streisand’s career tracks the shift from studio-era mystique to modern surveillance, from controlled image-making to 24/7 commentary. The quote lands as both exhaustion and boundary-setting, a celebrity admitting the only way to win the attention economy is not to feed it.
Quote Details
| Topic | Privacy & Cybersecurity |
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