"I'm not that interested in fashion... When someone says that lime-green is the new black for this season, you just want to tell them to get a life"
About this Quote
Oldfield’s jab lands because it comes from inside the fashion tent, not from some outsider lobbing rocks. As a working designer, he knows the machinery that turns color into crisis, and he’s puncturing its most self-important ritual: the seasonal proclamation. “Lime-green is the new black” is the perfect straw-man of trend culture, a sentence built to sound authoritative while saying almost nothing. It flatters the listener with insider status, then demands obedience disguised as taste.
The first clause, “I’m not that interested in fashion,” is deliberate misdirection. He isn’t disavowing clothes; he’s rejecting “Fashion” as an ideology - the churn of novelty, the manufactured urgency, the idea that style must reset on command. Oldfield positions himself closer to craft than to hype. The subtext is a defense of enduring design values (cut, proportion, wearability) against a market that needs you to feel behind. If black can be replaced by lime-green in a single season, then the “rules” were never rules; they were sales copy.
“Get a life” does cultural work, too. It frames trend obsession as a kind of moral and psychological smallness: spending emotional energy on a scripted cycle when there are bigger worlds to inhabit. Coming from a designer, it’s also a quiet flex - the confidence to treat fashion as something you do, not something you worship. The wit isn’t anti-style; it’s anti-pretension, aimed at an industry that confuses change with meaning.
The first clause, “I’m not that interested in fashion,” is deliberate misdirection. He isn’t disavowing clothes; he’s rejecting “Fashion” as an ideology - the churn of novelty, the manufactured urgency, the idea that style must reset on command. Oldfield positions himself closer to craft than to hype. The subtext is a defense of enduring design values (cut, proportion, wearability) against a market that needs you to feel behind. If black can be replaced by lime-green in a single season, then the “rules” were never rules; they were sales copy.
“Get a life” does cultural work, too. It frames trend obsession as a kind of moral and psychological smallness: spending emotional energy on a scripted cycle when there are bigger worlds to inhabit. Coming from a designer, it’s also a quiet flex - the confidence to treat fashion as something you do, not something you worship. The wit isn’t anti-style; it’s anti-pretension, aimed at an industry that confuses change with meaning.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Help us find the source |
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