"I'm not used to not having enough time to live with the songs. Usually, if I write something, I live with it for a little while"
About this Quote
Fiona Apple is describing a kind of artistic deprivation that most people only feel dimly: the panic of having to let go before you are ready. The line hinges on that double negative - "not used to not having enough time" - which sounds like a mind catching on its own snag. It mimics the mental stutter of a perfectionist pushed into deadlines, promotion cycles, label timelines, or simply the accelerated churn of a culture that wants product, not process.
The phrase "live with the songs" is doing quiet, heavy work. Apple is not talking about polishing a track or tweaking a mix; she frames songwriting as cohabitation. A song is a presence you move around with, test against your moods, let it annoy you, let it tell you what it actually is. That implies trust in time as a collaborator: distance reveals what is honest, what is performative, what is merely clever. When she says she usually "lives with it for a little while", she is admitting that revision is not just technical but ethical - an attempt to make sure the emotion survives contact with her own scrutiny.
The subtext is a resistance to the speed economy that flattens everything into content. Apple has long been read as uncompromising; here she gives that stance a tender, practical framing. The anxiety is not about audience reception. It's about the intimate loss of relationship with the work itself - the fear that without time, the songs won't get to become fully hers before they have to become everyone else's.
The phrase "live with the songs" is doing quiet, heavy work. Apple is not talking about polishing a track or tweaking a mix; she frames songwriting as cohabitation. A song is a presence you move around with, test against your moods, let it annoy you, let it tell you what it actually is. That implies trust in time as a collaborator: distance reveals what is honest, what is performative, what is merely clever. When she says she usually "lives with it for a little while", she is admitting that revision is not just technical but ethical - an attempt to make sure the emotion survives contact with her own scrutiny.
The subtext is a resistance to the speed economy that flattens everything into content. Apple has long been read as uncompromising; here she gives that stance a tender, practical framing. The anxiety is not about audience reception. It's about the intimate loss of relationship with the work itself - the fear that without time, the songs won't get to become fully hers before they have to become everyone else's.
Quote Details
| Topic | Music |
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