"I'm one of the great unemployed looking for the next job. I'm waiting for the right offer. Like anyone, I want something that turns me on inside"
About this Quote
Celebrity unemployment sounds like a punchline until Francesca Annis lands it with a straight face. By calling herself “one of the great unemployed,” she borrows the language of prestige and slaps it onto a condition usually framed as failure. The joke isn’t just self-deprecating; it’s a quiet rebuke of an industry that treats even acclaimed actors as disposable once the phone stops ringing. “Great” becomes both armor and irony: status doesn’t cancel precarity, it just makes it more absurd.
The line “looking for the next job” punctures the glamour myth in plain, workaday terms. Acting here isn’t “calling” or “craft” in the romantic sense; it’s labor with gaps, auditions, and waiting rooms. That waiting - “I’m waiting for the right offer” - telegraphs agency while admitting the limited control performers actually have. You can be selective, but only within whatever arrives.
Then she swivels from economics to appetite: “something that turns me on inside.” It’s not coyness; it’s a refusal to pretend she’s grateful for any role. The phrase carries sensual charge and professional hunger at once, insisting that good work should provoke, not just pay. Subtext: she’s not chasing relevance, she’s chasing ignition - the kind of part that demands more than polish and composure.
Context matters: for a woman of Annis’s generation, “the right offer” also hints at the shrinking menu of complex roles with age. The quote reads as both survival strategy and standards declaration: I’m available, but I won’t numb out to stay employed.
The line “looking for the next job” punctures the glamour myth in plain, workaday terms. Acting here isn’t “calling” or “craft” in the romantic sense; it’s labor with gaps, auditions, and waiting rooms. That waiting - “I’m waiting for the right offer” - telegraphs agency while admitting the limited control performers actually have. You can be selective, but only within whatever arrives.
Then she swivels from economics to appetite: “something that turns me on inside.” It’s not coyness; it’s a refusal to pretend she’s grateful for any role. The phrase carries sensual charge and professional hunger at once, insisting that good work should provoke, not just pay. Subtext: she’s not chasing relevance, she’s chasing ignition - the kind of part that demands more than polish and composure.
Context matters: for a woman of Annis’s generation, “the right offer” also hints at the shrinking menu of complex roles with age. The quote reads as both survival strategy and standards declaration: I’m available, but I won’t numb out to stay employed.
Quote Details
| Topic | New Job |
|---|---|
| Source | Help us find the source |
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