Creativity Quote by Siobhan Fahey

Calling yourself “repulsed” by “the diva type” isn’t just a personal preference; it’s a boundary-setting move in a pop ecosystem that rewards spectacle and entitlement as much as talent. Siobhan Fahey came up in an era when female front-people were often boxed into two marketable archetypes: the pliable professional or the high-maintenance star. “Diva” is the word that polices that line, a label that can mean genuine vocal authority, but more often functions as a sexist shorthand for a woman who insists on control.

Fahey’s phrasing matters. “Quite” sharpens the edge, and “repulsed” signals moral disgust, not mild annoyance. She’s not saying she dislikes dramatic personalities; she’s distancing herself from a whole set of behaviors and expectations: the cult of hierarchy, the tantrum-as-brand, the idea that other people exist to service your genius. In group dynamics like hers (bands, collaborations, studio systems), diva behavior isn’t just annoying, it’s corrosive: it turns art-making into risk management.

The subtext also reads as a quiet argument for a different kind of power. Fahey isn’t rejecting ambition or glamour; she’s rejecting the performance of superiority that the industry sometimes mistakes for leadership. It’s a musician signaling credibility by aligning with craft, discipline, and collective work over narcissistic mythmaking - and, pointedly, refusing a role the culture is eager to assign women the moment they appear difficult, decisive, or simply in charge.