"I'm sick to death of people saying we've made 11 albums that sounds exactly the same, Infact, we've made 12 albums that sound exactly the same"
About this Quote
Angus Young’s punchline is a power chord disguised as a rebuttal. On the surface, he’s swatting away a familiar insult aimed at AC/DC: that their catalogue is one long song with different cover art. But the joke works because he refuses the premise that repetition is failure. He accepts the charge, then exaggerates it into absurdity: not only are you right, you’re behind on the count.
The intent is defensive, sure, but it’s also a flex. Young reframes “same” as “signature,” treating consistency as a kind of integrity. For bands built on blues-rock fundamentals, novelty can read like self-consciousness; AC/DC’s whole aesthetic is that they don’t need to audition for relevance. The subtext is almost anti-progress: we’re not here to evolve on your timeline. We’re here to deliver the thing you came for, louder and tighter.
Culturally, it lands because it punctures a critic’s favorite moralizing metric: growth. Rock discourse loves the narrative arc of reinvention, as if changing equals maturing. Young shrugs at that story and reveals the transactional truth underneath pop culture purity tests: listeners often want familiar feelings with fresh voltage. The line also signals a certain working-class stubbornness, a pride in craft over concept. If the riff works, why apologize? In an era obsessed with branding, he’s basically saying: yes, this is the brand. We’re not embarrassed. We’re booked.
The intent is defensive, sure, but it’s also a flex. Young reframes “same” as “signature,” treating consistency as a kind of integrity. For bands built on blues-rock fundamentals, novelty can read like self-consciousness; AC/DC’s whole aesthetic is that they don’t need to audition for relevance. The subtext is almost anti-progress: we’re not here to evolve on your timeline. We’re here to deliver the thing you came for, louder and tighter.
Culturally, it lands because it punctures a critic’s favorite moralizing metric: growth. Rock discourse loves the narrative arc of reinvention, as if changing equals maturing. Young shrugs at that story and reveals the transactional truth underneath pop culture purity tests: listeners often want familiar feelings with fresh voltage. The line also signals a certain working-class stubbornness, a pride in craft over concept. If the riff works, why apologize? In an era obsessed with branding, he’s basically saying: yes, this is the brand. We’re not embarrassed. We’re booked.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Later attribution: Angus Young (Angus Young) modern compilation
Evidence:
tation needed im sick and tired of people saying that we put out 11 albums that sound exactly the same in fact weve put out 12 albums that sound exactly the same interview |
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