"I'm the type of artist who touches people, that's the type of artist that I am"
About this Quote
There’s a quiet insistence in Jacob Lusk’s line: not “I want to touch people,” but “I’m the type.” It’s identity talk, the kind artists use when they’re tired of being treated like a genre, a brand, or a contestant on someone else’s narrative. Lusk isn’t arguing for his talent so much as staking a claim about function. The job description here is emotional impact.
The repetition does a lot of work. “Type of artist” lands twice like a stamp, as if he’s had to clarify this before - to labels, to audiences, to interviewers who’d rather talk about optics than guts. It’s also a subtle defense against the modern suspicion that sincerity is just marketing. By saying it this plainly, he frames connection as craft, not accident. “Touches people” isn’t about ego (though there’s confidence); it’s about value in an attention economy that rewards loudness, speed, and irony.
Context matters because Lusk comes out of spaces where voice is spectacle and the performer is packaged fast. In that ecosystem, emotional directness can read as old-fashioned or overly earnest. His line pushes back: I’m not here to be “content.” I’m here to move you - to make the room feel something, to make a song behave like a hand on your shoulder. It’s a simple sentence with a strategic edge: if you can’t measure what I do in charts, you’ll have to measure it in people.
The repetition does a lot of work. “Type of artist” lands twice like a stamp, as if he’s had to clarify this before - to labels, to audiences, to interviewers who’d rather talk about optics than guts. It’s also a subtle defense against the modern suspicion that sincerity is just marketing. By saying it this plainly, he frames connection as craft, not accident. “Touches people” isn’t about ego (though there’s confidence); it’s about value in an attention economy that rewards loudness, speed, and irony.
Context matters because Lusk comes out of spaces where voice is spectacle and the performer is packaged fast. In that ecosystem, emotional directness can read as old-fashioned or overly earnest. His line pushes back: I’m not here to be “content.” I’m here to move you - to make the room feel something, to make a song behave like a hand on your shoulder. It’s a simple sentence with a strategic edge: if you can’t measure what I do in charts, you’ll have to measure it in people.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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