"I'm thinking about directing, but I know it's a lot of work and I appreciate what directors do and I would like to be good at it. The opportunity has presented itself four to five times, and I usually said no because of the script"
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Bassett isn’t daydreaming about a new title; she’s staking out a posture of earned seriousness. “I’m thinking about directing” is the soft launch, but the real muscle is in the immediate self-check: “I know it’s a lot of work.” In an industry that loves the myth of the effortless multi-hyphenate, she insists on the unglamorous labor. That choice reads less like humility and more like credibility: she’s signaling she’s not chasing a vanity pivot, she’s measuring the job.
The line “I appreciate what directors do” doubles as a quiet critique of how directing is often treated as the next rung for actors rather than its own craft. Bassett’s respect isn’t abstract; it’s experiential. She’s spent decades watching directors translate chaos into coherence, and she’s naming that competence as something to be earned, not assumed. “I would like to be good at it” is the key phrase: ambition restrained by standards.
Then comes the most revealing confession: she’s been offered the opportunity “four to five times,” and she “usually said no because of the script.” That’s a flex disguised as selectiveness. It tells you she has access, but also taste. It hints at a structural problem too: women, especially women of color, are often handed “opportunities” attached to undercooked material, expected to be grateful rather than discerning. Bassett refuses the gratitude trap. Her subtext is control - not just of career trajectory, but of story quality. She’ll step behind the camera when the material deserves her, not when the industry decides it’s time.
The line “I appreciate what directors do” doubles as a quiet critique of how directing is often treated as the next rung for actors rather than its own craft. Bassett’s respect isn’t abstract; it’s experiential. She’s spent decades watching directors translate chaos into coherence, and she’s naming that competence as something to be earned, not assumed. “I would like to be good at it” is the key phrase: ambition restrained by standards.
Then comes the most revealing confession: she’s been offered the opportunity “four to five times,” and she “usually said no because of the script.” That’s a flex disguised as selectiveness. It tells you she has access, but also taste. It hints at a structural problem too: women, especially women of color, are often handed “opportunities” attached to undercooked material, expected to be grateful rather than discerning. Bassett refuses the gratitude trap. Her subtext is control - not just of career trajectory, but of story quality. She’ll step behind the camera when the material deserves her, not when the industry decides it’s time.
Quote Details
| Topic | Career |
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