"I'm very focused on "Dexter" right now. I want to make it as good of a show as we can"
About this Quote
There is something almost disarmingly pragmatic about Michael C. Hall framing his artistic ambition in the language of project management: focused, right now, as good as we can. For an actor tethered to a role as culturally sticky as Dexter Morgan, this isn’t just a work update; it’s a containment strategy. “Dexter” isn’t a character you casually “visit.” It’s a brand, a moral puzzle box, and a lightning rod, and Hall’s quote reads like a deliberate refusal to romanticize any of it.
The intent is clear: narrow the conversation to craft, not celebrity. Actors promoting a hit often get baited into grand statements about legacy or fandom; Hall sidesteps that by sounding like the most responsible person in the room. The phrase “as we can” is doing subtle damage control. It acknowledges constraints without naming them: network demands, writers’ room compromises, audience expectations, the pressure to keep a serial narrative from collapsing under its own cleverness. That humility is strategic. It preempts the arrogance that can provoke backlash if a season misfires.
Context matters because “Dexter” lived and died on execution. The premise is sensational, but the show’s reputation hinges on tonal calibration: empathy without endorsement, suspense without schlock. Hall’s focus reads as a promise to hold that line. Subtextually, he’s also protecting himself. When you play a character audiences both love and judge, “I’m focused on making it good” is a way of saying: don’t confuse the man with the mask, but do hold us accountable for the work.
The intent is clear: narrow the conversation to craft, not celebrity. Actors promoting a hit often get baited into grand statements about legacy or fandom; Hall sidesteps that by sounding like the most responsible person in the room. The phrase “as we can” is doing subtle damage control. It acknowledges constraints without naming them: network demands, writers’ room compromises, audience expectations, the pressure to keep a serial narrative from collapsing under its own cleverness. That humility is strategic. It preempts the arrogance that can provoke backlash if a season misfires.
Context matters because “Dexter” lived and died on execution. The premise is sensational, but the show’s reputation hinges on tonal calibration: empathy without endorsement, suspense without schlock. Hall’s focus reads as a promise to hold that line. Subtextually, he’s also protecting himself. When you play a character audiences both love and judge, “I’m focused on making it good” is a way of saying: don’t confuse the man with the mask, but do hold us accountable for the work.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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