"I'm very interested to see how this new painting will go - I know I want it big and stark, and as I said, I follow the muse, and that's when it always works perfectly for me"
About this Quote
There’s a quiet rebellion in a pop musician talking like a painter: big, stark, muse-led. Jackie DeShannon’s line reads like a refusal to stay in the lane the industry drew for her. She’s not describing a “_toggle your feelings into product_” workflow; she’s describing a risk. “Interested to see how this new painting will go” frames creation as an experiment, not a performance of certainty. That phrasing matters for an artist whose career has moved through songcraft, studio demands, and the expectation that women in music be reliable, legible, and pleasing.
“Big and stark” is the giveaway. Stark isn’t just an aesthetic choice; it’s a wager against ornament and crowd-pleasing polish. In pop terms, it’s the courage to leave space, to let the work be severe, maybe even unpopular at first. She’s signaling ambition in scale (“big”) and clarity in impact (“stark”), a desire to make something that doesn’t apologize for taking up room.
Then comes the talisman: “I follow the muse.” It’s an old romantic trope, but DeShannon uses it tactically. She’s not claiming mystical genius so much as defending instinct against the rationalized churn of professional creativity. “That’s when it always works perfectly for me” lands as a hard-won personal statistic: when she’s aligned with her own internal compass, the outcome clicks. Subtext: the times it doesn’t “work” are often when external voices lead - labels, trends, collaborators, even the audience. Here, she’s choosing authorship over approval.
“Big and stark” is the giveaway. Stark isn’t just an aesthetic choice; it’s a wager against ornament and crowd-pleasing polish. In pop terms, it’s the courage to leave space, to let the work be severe, maybe even unpopular at first. She’s signaling ambition in scale (“big”) and clarity in impact (“stark”), a desire to make something that doesn’t apologize for taking up room.
Then comes the talisman: “I follow the muse.” It’s an old romantic trope, but DeShannon uses it tactically. She’s not claiming mystical genius so much as defending instinct against the rationalized churn of professional creativity. “That’s when it always works perfectly for me” lands as a hard-won personal statistic: when she’s aligned with her own internal compass, the outcome clicks. Subtext: the times it doesn’t “work” are often when external voices lead - labels, trends, collaborators, even the audience. Here, she’s choosing authorship over approval.
Quote Details
| Topic | Art |
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