"I'm very practical. What I'm reaching for is individualism for women"
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Turner’s blunt pairing of “very practical” with “reaching for” does a neat bit of rhetorical jiu-jitsu: it frames feminism not as a dreamy ideology, but as an everyday operating system. “Practical” is a defensive word, aimed at an audience trained to hear women’s autonomy as complaint or threat. She’s saying: this isn’t theory, it’s logistics. Money. Work. Sex. Safety. Time. The stuff that decides whether you get to be a person in public.
The second clause tightens the screw. “Individualism for women” sounds almost redundant in an American register that treats individualism as a civic religion - but that’s the point. Turner is calling out a cheat code in the culture: men are presumed to have complex inner lives, contradictions, appetites, bad decisions that don’t revoke their humanity. Women, especially in film and celebrity culture, are pushed into types: ingenue, vamp, wife, cautionary tale. Individualism is what breaks the casting.
Context matters here: Turner emerged as a major star in an era that sold “strong women” as a marketable pose while policing actual female agency. Her screen persona often traded on control and desire; offscreen, she’s insisting those qualities shouldn’t be exceptional or punished. The subtext is a demand for permission that shouldn’t require asking: let women be various, self-directed, even inconvenient - and treat that as normal life, not a political provocation.
The second clause tightens the screw. “Individualism for women” sounds almost redundant in an American register that treats individualism as a civic religion - but that’s the point. Turner is calling out a cheat code in the culture: men are presumed to have complex inner lives, contradictions, appetites, bad decisions that don’t revoke their humanity. Women, especially in film and celebrity culture, are pushed into types: ingenue, vamp, wife, cautionary tale. Individualism is what breaks the casting.
Context matters here: Turner emerged as a major star in an era that sold “strong women” as a marketable pose while policing actual female agency. Her screen persona often traded on control and desire; offscreen, she’s insisting those qualities shouldn’t be exceptional or punished. The subtext is a demand for permission that shouldn’t require asking: let women be various, self-directed, even inconvenient - and treat that as normal life, not a political provocation.
Quote Details
| Topic | Equality |
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