"I'm very staid compared to my students, actually"
About this Quote
Acker’s little shrug of a sentence lands like a dare disguised as modesty. Coming from a writer and activist synonymous with transgression, “I’m very staid compared to my students, actually” isn’t confession so much as a reversal: the supposed outlaw casts herself as the conservative in the room. The word “staid” carries a prim, almost genteel stiffness, the kind of label power likes to give itself when it wants to sound reasonable. Acker grabs it and uses it to redraw the map of who’s radical now.
The subtext is generational, but not in the tired “kids these days” key. It’s Acker acknowledging that rebellion can fossilize into style - and that institutions can absorb yesterday’s scandal and sell it back as syllabus material. When an avant-gardist becomes a teacher, the role itself threatens to domesticate the work: the classroom turns rupture into “influence,” confrontation into “discussion.” Her “actually” matters; it’s a small verbal pivot that signals surprise, even pleasure, at being outpaced.
Contextually, this reads like late-20th-century punk and feminist energy migrating into universities and art schools, where students test boundaries with a freedom Acker didn’t always get - or had to fight for in harsher conditions. There’s admiration here, but also a warning: if the students are wilder, the teacher’s job isn’t to tame them. It’s to keep up without turning their risk into her brand.
The subtext is generational, but not in the tired “kids these days” key. It’s Acker acknowledging that rebellion can fossilize into style - and that institutions can absorb yesterday’s scandal and sell it back as syllabus material. When an avant-gardist becomes a teacher, the role itself threatens to domesticate the work: the classroom turns rupture into “influence,” confrontation into “discussion.” Her “actually” matters; it’s a small verbal pivot that signals surprise, even pleasure, at being outpaced.
Contextually, this reads like late-20th-century punk and feminist energy migrating into universities and art schools, where students test boundaries with a freedom Acker didn’t always get - or had to fight for in harsher conditions. There’s admiration here, but also a warning: if the students are wilder, the teacher’s job isn’t to tame them. It’s to keep up without turning their risk into her brand.
Quote Details
| Topic | Teaching |
|---|---|
| Source | Help us find the source |
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