"I'm wide open and will entertain anything anybody has to say, but if it's MTV and radio, well, they're great things, but can't be the only thing. I don't know that it would work even for the Beatles"
About this Quote
Mellencamp is selling openness while quietly drawing a boundary around what counts as real listening. The first clause - "wide open" - sounds like the classic artist-as-democrat pose: bring me your takes, your criticism, your noise. Then he yanks the wheel: if your entire relationship to music is MTV and radio, you are not actually in the conversation. He's not anti-pop; he even calls those platforms "great things". The sting is in the "but can't be the only thing" - a defense of depth against a culture that confuses exposure with engagement.
The subtext is late-20th-century anxiety about gatekeepers flipping sides. For decades, radio and later MTV were kingmakers; by the time Mellencamp is talking like this, they also feel like reducers, compressing artists into images, singles, and rotation-friendly personalities. He isn't just complaining about commercialization; he's complaining about monoculture as a method of thinking. If the only input is what gets broadcast, taste becomes outsourced.
Invoking the Beatles is the killer move: a shared reference point so large it functions like a stress test. If even the most mythologized band might not "work" under total dependence on MTV/radio logic, then the problem isn't that today's artists lack genius; it's that the system prizes immediacy, branding, and repetition over the slow accrual of meaning. Mellencamp is arguing for the album, the live room, the liner-notes intimacy - for a listener who does a little work, too.
The subtext is late-20th-century anxiety about gatekeepers flipping sides. For decades, radio and later MTV were kingmakers; by the time Mellencamp is talking like this, they also feel like reducers, compressing artists into images, singles, and rotation-friendly personalities. He isn't just complaining about commercialization; he's complaining about monoculture as a method of thinking. If the only input is what gets broadcast, taste becomes outsourced.
Invoking the Beatles is the killer move: a shared reference point so large it functions like a stress test. If even the most mythologized band might not "work" under total dependence on MTV/radio logic, then the problem isn't that today's artists lack genius; it's that the system prizes immediacy, branding, and repetition over the slow accrual of meaning. Mellencamp is arguing for the album, the live room, the liner-notes intimacy - for a listener who does a little work, too.
Quote Details
| Topic | Music |
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