"In 1972 I married again, to Elisabeth Case; she continues to be wife, companion, critic and editor: a partner in the projects and programs that we undertake"
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There’s a quiet, almost disarming pragmatism in North’s phrasing: marriage as an institution of production, not performance. “She continues to be” reads like a line from a progress report, as if the relationship’s success is measured over time the way he’d measure the persistence of an effective rule or incentive. That’s not coldness so much as North’s native language: durable arrangements, repeated interactions, credible commitments.
The list is the tell. “Wife, companion, critic and editor” moves from the socially expected role into the intellectually intimate ones. “Critic and editor” is unusually specific for a spouse tribute; it signals that what mattered most in his life wasn’t simply affection but the daily, sometimes abrasive collaboration that makes ideas sharper. It also preemptively answers a biographical question: why his work has a certain coherence, why the prose lands, why the arguments feel stress-tested. Behind the Nobel-caliber theorizing about institutions and constraints sits a domestic micro-institution: someone empowered to say no, to revise, to challenge.
Context matters: North’s economics focused on how informal norms and formal rules shape outcomes. This sentence smuggles that worldview into autobiography. He frames the marriage as an ongoing “partnership in the projects and programs that we undertake,” collapsing the boundary between private life and intellectual enterprise. The subtext is generosity with a side of self-portraiture: he’s not only crediting Elisabeth Case; he’s telling you how he works - collaboratively, iteratively, with accountability built in.
The list is the tell. “Wife, companion, critic and editor” moves from the socially expected role into the intellectually intimate ones. “Critic and editor” is unusually specific for a spouse tribute; it signals that what mattered most in his life wasn’t simply affection but the daily, sometimes abrasive collaboration that makes ideas sharper. It also preemptively answers a biographical question: why his work has a certain coherence, why the prose lands, why the arguments feel stress-tested. Behind the Nobel-caliber theorizing about institutions and constraints sits a domestic micro-institution: someone empowered to say no, to revise, to challenge.
Context matters: North’s economics focused on how informal norms and formal rules shape outcomes. This sentence smuggles that worldview into autobiography. He frames the marriage as an ongoing “partnership in the projects and programs that we undertake,” collapsing the boundary between private life and intellectual enterprise. The subtext is generosity with a side of self-portraiture: he’s not only crediting Elisabeth Case; he’s telling you how he works - collaboratively, iteratively, with accountability built in.
Quote Details
| Topic | Husband & Wife |
|---|---|
| Source | Help us find the source |
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