"In 1976 I wrote a lot about women trying to claim the right to work"
About this Quote
The year does a lot of heavy lifting here. “In 1976” isn’t a nostalgic timestamp so much as a flare: second-wave feminism had already forced the culture to argue, in public, about whether women belonged in the workplace as full citizens or as “helpers” temporarily borrowing space from men. By framing it as “I wrote a lot,” Cathy Guisewite quietly signals the grind behind cultural change. Rights don’t arrive on a single march; they’re dragged into everyday life through repetition, through making the same point until it stops sounding radical.
The phrase “women trying to claim the right to work” is intentionally loaded. “Trying” suggests resistance that’s both external and internal: institutions blocking access, and women having to justify ambition in a culture trained to call it selfish. “Claim” implies something already owed, not a favor granted. It also nods to the legal and economic realities of the period: credit discrimination, limited professional pathways, and workplaces built around male norms of availability and authority.
As a cartoonist, Guisewite’s intent isn’t just reportage; it’s pressure applied with humor. Cartoons are social X-rays: they reveal the contradiction between the era’s “you can have it all” rhetoric and the daily humiliations women were expected to treat as normal. The subtext is weary and pointed: in 1976, the “right to work” still required persuasion, performance, and a thick skin - and she made that struggle legible, one panel at a time.
The phrase “women trying to claim the right to work” is intentionally loaded. “Trying” suggests resistance that’s both external and internal: institutions blocking access, and women having to justify ambition in a culture trained to call it selfish. “Claim” implies something already owed, not a favor granted. It also nods to the legal and economic realities of the period: credit discrimination, limited professional pathways, and workplaces built around male norms of availability and authority.
As a cartoonist, Guisewite’s intent isn’t just reportage; it’s pressure applied with humor. Cartoons are social X-rays: they reveal the contradiction between the era’s “you can have it all” rhetoric and the daily humiliations women were expected to treat as normal. The subtext is weary and pointed: in 1976, the “right to work” still required persuasion, performance, and a thick skin - and she made that struggle legible, one panel at a time.
Quote Details
| Topic | Equality |
|---|---|
| Source | Help us find the source |
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