"In advertising, not to be different is virtual suicide"
About this Quote
Advertising is the only arena where invisibility is a moral failing. Wilder’s line is blunt because the marketplace is blunt: if you blend in, you don’t just lose, you vanish. The phrase “virtual suicide” is doing double duty. It’s exaggerated enough to sting, but accurate enough to feel like a diagnosis. He’s not romanticizing originality; he’s treating difference as oxygen in a system engineered to starve attention.
The intent is less “be creative” than “recognize the rules of the medium.” Advertising isn’t primarily about truth or even persuasion in the classical sense; it’s about interruption. Wilder, a novelist and playwright, understood how audiences move: they skim, they resist, they forget. To be “not different” is to surrender before you’ve spoken, because the default state of the viewer is defensive boredom.
The subtext has a darker edge: advertising rewards distinction whether or not it’s meaningful. Difference can be substance, but it can also be noise, spectacle, or provocation. Wilder’s word choice quietly concedes that the system nudges makers toward extremes - brighter colors, louder claims, sharper identities - not because they’re better, but because they’re legible at a glance.
Context matters, too. Wilder lived through the rise of mass media, national brands, radio, and the early television age, when “attention” became an industrial resource. In that world, sameness isn’t neutrality; it’s erasure. The line feels eerily current because the logic of feeds and algorithms is just advertising’s old lesson with better math.
The intent is less “be creative” than “recognize the rules of the medium.” Advertising isn’t primarily about truth or even persuasion in the classical sense; it’s about interruption. Wilder, a novelist and playwright, understood how audiences move: they skim, they resist, they forget. To be “not different” is to surrender before you’ve spoken, because the default state of the viewer is defensive boredom.
The subtext has a darker edge: advertising rewards distinction whether or not it’s meaningful. Difference can be substance, but it can also be noise, spectacle, or provocation. Wilder’s word choice quietly concedes that the system nudges makers toward extremes - brighter colors, louder claims, sharper identities - not because they’re better, but because they’re legible at a glance.
Context matters, too. Wilder lived through the rise of mass media, national brands, radio, and the early television age, when “attention” became an industrial resource. In that world, sameness isn’t neutrality; it’s erasure. The line feels eerily current because the logic of feeds and algorithms is just advertising’s old lesson with better math.
Quote Details
| Topic | Marketing |
|---|---|
| Source | Help us find the source |
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