"In all my career, in my ups and downs, I've never had a beauty campaign. This was meaningful that at almost 41 years old, I could be getting my first beauty campaign. It made me feel really great"
About this Quote
There is a quiet rebellion in the timing: not at 22, not at the peak of a glossy starlet runway, but "almost 41" - and framed as a first. Teri Hatcher isn’t just celebrating a job; she’s naming an industry rule while pretending not to. Beauty campaigns are the entertainment economy’s most polished currency, reserved for faces deemed permanently bankable. By emphasizing the long gap between "career" and "beauty", she exposes how Hollywood parcels out validation: you can be famous, talented, working, even iconic, and still not be granted the specific stamp that says you are officially desirable.
The phrase "ups and downs" does double duty. It signals grit - a working actor’s survival story - while also hinting at the fickle gatekeeping of image-based endorsement. Her astonishment isn’t false modesty; it’s an indictment delivered in the language of gratitude. She’s careful to make the moment feel personal ("It made me feel really great") rather than political, because actresses have historically been punished for sounding aggrieved about ageism. So the critique arrives sideways: meaningful, not enraged; pleased, not demanding.
In the early 2000s celebrity beauty deals were exploding into a parallel prestige system, turning faces into brands and brands into social proof. Hatcher’s line lands because it captures the emotional whiplash of being told, implicitly, that beauty has an expiration date - then being briefly invited back into the club. The triumph is real. The terms are the problem.
The phrase "ups and downs" does double duty. It signals grit - a working actor’s survival story - while also hinting at the fickle gatekeeping of image-based endorsement. Her astonishment isn’t false modesty; it’s an indictment delivered in the language of gratitude. She’s careful to make the moment feel personal ("It made me feel really great") rather than political, because actresses have historically been punished for sounding aggrieved about ageism. So the critique arrives sideways: meaningful, not enraged; pleased, not demanding.
In the early 2000s celebrity beauty deals were exploding into a parallel prestige system, turning faces into brands and brands into social proof. Hatcher’s line lands because it captures the emotional whiplash of being told, implicitly, that beauty has an expiration date - then being briefly invited back into the club. The triumph is real. The terms are the problem.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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