"In Christ the original image of God is restored, by faith in this world and by sight in the world to come"
About this Quote
Restoration is doing a lot of quiet work here: it assumes something was damaged, not merely missing. Walter Lang’s line borrows the visual grammar of Christianity and turns it into a kind of spiritual art direction. The “image of God” reads like an original negative in a studio vault - pristine in origin, blurred by history, recoverable through the right process. That’s a director’s instinct: the world is a scene gone soft-focus, and salvation is the refocus.
The pairing of “by faith” and “by sight” is the quote’s real mechanism. It separates human perception into two modes: the stopgap of trust now, and the promised clarity later. “In this world” is marked as provisional, an edit in progress. “The world to come” is the final cut, where ambiguity gets resolved into undeniable vision. The phrasing flatters the believer’s frustration: if reality feels inconsistent, if goodness looks smudged or delayed, that’s not a flaw in the theology - it’s a feature of the current stage of production.
Context matters. Lang lived through two world wars and the churn of mid-century modernity, eras that made “damage” feel like a baseline condition. The sentence offers a moral counter-narrative to disillusionment: history may degrade the human picture, but it cannot destroy the master copy. Its intent isn’t just consolation; it’s a discipline. It asks you to live as if the restoration is already underway, even when the evidence won’t cooperate yet.
The pairing of “by faith” and “by sight” is the quote’s real mechanism. It separates human perception into two modes: the stopgap of trust now, and the promised clarity later. “In this world” is marked as provisional, an edit in progress. “The world to come” is the final cut, where ambiguity gets resolved into undeniable vision. The phrasing flatters the believer’s frustration: if reality feels inconsistent, if goodness looks smudged or delayed, that’s not a flaw in the theology - it’s a feature of the current stage of production.
Context matters. Lang lived through two world wars and the churn of mid-century modernity, eras that made “damage” feel like a baseline condition. The sentence offers a moral counter-narrative to disillusionment: history may degrade the human picture, but it cannot destroy the master copy. Its intent isn’t just consolation; it’s a discipline. It asks you to live as if the restoration is already underway, even when the evidence won’t cooperate yet.
Quote Details
| Topic | Faith |
|---|---|
| Source | Help us find the source |
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