"In England, there are so many TV commercials with nudity in them, and there are so many TV programs that show nudity on a regular basis. It's becoming more of a norm"
About this Quote
Roberts isn’t delivering a grand thesis so much as a working actor’s field report: the camera has changed its standards, and the audience is being trained in real time. The plainness of his phrasing matters. “So many” isn’t an argument; it’s a shrug made verbal, the language of someone watching a threshold quietly disappear. By pointing to commercials as well as programs, he’s also zeroing in on where the cultural shift gets its real power: not in prestige drama, but in the most transactional corner of television, where bodies are used to sell everything else.
The key move is “becoming more of a norm.” That’s the subtextual engine. He’s not quite condemning it, not quite endorsing it; he’s clocking normalization as a process. The line carries an unease about desensitization, but it also hints at the industry’s logic: once a tactic works, it spreads, then it stops looking like a tactic at all. Nudity becomes background texture, another production choice, like faster edits or louder music.
Contextually, this sits in the long post-censorship drift of British TV, when competition, edgier formats, and a more advertising-driven media ecosystem pushed boundaries that once required justification. Roberts’s intent feels pragmatic: to name a new baseline. The cultural bite is that he frames “norm” as something that happens to people, not something they consciously choose - a reminder that taste can be engineered one repeat airing at a time.
The key move is “becoming more of a norm.” That’s the subtextual engine. He’s not quite condemning it, not quite endorsing it; he’s clocking normalization as a process. The line carries an unease about desensitization, but it also hints at the industry’s logic: once a tactic works, it spreads, then it stops looking like a tactic at all. Nudity becomes background texture, another production choice, like faster edits or louder music.
Contextually, this sits in the long post-censorship drift of British TV, when competition, edgier formats, and a more advertising-driven media ecosystem pushed boundaries that once required justification. Roberts’s intent feels pragmatic: to name a new baseline. The cultural bite is that he frames “norm” as something that happens to people, not something they consciously choose - a reminder that taste can be engineered one repeat airing at a time.
Quote Details
| Topic | Movie |
|---|
More Quotes by Mark
Add to List








