"In Europe the parents are included as with children. All three generations are together. I'm thinking of Italy. You go out on a Sunday afternoon and the whole family is there"
About this Quote
Delany’s observation lands like a quiet indictment of the American fantasy of independence. She’s not waxing poetic about pasta and piazzas; she’s pointing to an architecture of daily life where aging, childrearing, and companionship aren’t outsourced to institutions or squeezed into holiday weekends. The line “the parents are included as with children” subtly flips the usual hierarchy: in her framing, older adults aren’t peripheral guests in the story of the young. They’re part of the core cast, expected in the scene.
Italy functions here less as a precise sociological case study than as a shorthand Americans instantly recognize: public life, rituals, and density. “Sunday afternoon” matters because it’s banal. She isn’t describing a wedding or a milestone birthday; she’s describing the default setting. That’s the subtextual punch: togetherness as routine rather than event.
As an actress, Delany also speaks in images. You can see the tableau: a multi-generational group occupying space without apology. It’s a lifestyle shot, but it’s doing cultural critique work, hinting at what gets lost when family becomes a logistical problem to solve. There’s an implied loneliness on the other side of the comparison, and an implied privilege, too: not everyone can live near everyone, not everyone’s family is safe to be around, and “the whole family” can be as suffocating as it is warm.
Still, the intent is clear: she’s admiring a social norm that makes care visible in public, not hidden behind closed doors or managed by apps.
Italy functions here less as a precise sociological case study than as a shorthand Americans instantly recognize: public life, rituals, and density. “Sunday afternoon” matters because it’s banal. She isn’t describing a wedding or a milestone birthday; she’s describing the default setting. That’s the subtextual punch: togetherness as routine rather than event.
As an actress, Delany also speaks in images. You can see the tableau: a multi-generational group occupying space without apology. It’s a lifestyle shot, but it’s doing cultural critique work, hinting at what gets lost when family becomes a logistical problem to solve. There’s an implied loneliness on the other side of the comparison, and an implied privilege, too: not everyone can live near everyone, not everyone’s family is safe to be around, and “the whole family” can be as suffocating as it is warm.
Still, the intent is clear: she’s admiring a social norm that makes care visible in public, not hidden behind closed doors or managed by apps.
Quote Details
| Topic | Family |
|---|---|
| Source | Help us find the source |
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