"In Hollywood, the rainbow hits the ground for composers"
About this Quote
Hollywood sells itself as a place where dreams materialize, but Hoagy Carmichael tilts that myth just enough to show the mechanics underneath. A rainbow is pure promise: color, wonder, the sense that something rare has appeared for you alone. Saying it "hits the ground" for composers turns the metaphor into something almost industrial. The magic doesn’t hover; it lands. It becomes payroll, credits, deadlines, and the very real possibility of turning inspiration into property.
Carmichael, a Tin Pan Alley hitmaker who moved through the studio system, is wryly acknowledging that film was one of the first modern machines that could reliably monetize music. In the concert world, composers often wait for institutions to validate them; in Hollywood, the demand is built-in. Films need themes, cues, mood, continuity. The rainbow hits the ground because the medium forces music to become functional and constant, not occasional and precious.
There’s also a subtle double edge in the phrasing. A rainbow that reaches the ground isn’t only treasure-at-the-end fantasy; it can feel like the illusion has been punctured. Hollywood is where the shimmering idea gets pinned to a schedule and edited to picture. For composers, that can be liberation (steady work, mass audience) and compromise (music as subordinate craft, shaped by producers and narrative needs).
The line works because it flatters and needles at once: it recognizes composers as unlikely beneficiaries of the dream factory, while quietly reminding them what happens when dreams become a business plan.
Carmichael, a Tin Pan Alley hitmaker who moved through the studio system, is wryly acknowledging that film was one of the first modern machines that could reliably monetize music. In the concert world, composers often wait for institutions to validate them; in Hollywood, the demand is built-in. Films need themes, cues, mood, continuity. The rainbow hits the ground because the medium forces music to become functional and constant, not occasional and precious.
There’s also a subtle double edge in the phrasing. A rainbow that reaches the ground isn’t only treasure-at-the-end fantasy; it can feel like the illusion has been punctured. Hollywood is where the shimmering idea gets pinned to a schedule and edited to picture. For composers, that can be liberation (steady work, mass audience) and compromise (music as subordinate craft, shaped by producers and narrative needs).
The line works because it flatters and needles at once: it recognizes composers as unlikely beneficiaries of the dream factory, while quietly reminding them what happens when dreams become a business plan.
Quote Details
| Topic | Music |
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