"In horror, character development is often pushed aside in favor of the shock value. The best genre movies to me are movies like The Shining. You had a connection to the characters in that film"
About this Quote
Leonard is poking at a lazy bargain horror too often makes with its audience: you trade empathy for adrenaline, and the movie treats that as a fair exchange. Coming from an actor, that complaint isn’t academic nitpicking; it’s an indictment of what the camera is being asked to do. If the genre reduces people to meat for the grinder, the performer becomes a delivery system for screams, not a vessel for a life.
His choice of The Shining is strategic. It’s a canonical “scary movie” that barely behaves like one, at least in the modern jump-scare economy. Kubrick’s dread works because it’s slow, domestic, and humiliating: a family frays in real time, and the supernatural elements feel less like plot than like a pressure system exposing fault lines. Leonard’s phrase “connection to the characters” is the tell. He’s arguing that horror hits harder when it risks intimacy. The shock lands not because something loud happens, but because it happens to someone you’ve been trained to recognize as human.
There’s also a quiet bit of self-positioning here. Leonard is forever linked to The Blair Witch Project, a film famous for making character feel immediate even as it weaponizes minimal backstory and raw panic. His comment reads like a defense of that lane of horror: scare me, yes, but earn it. The subtext is a demand for craft over content, for dread that lingers because it attaches to people, not just images.
His choice of The Shining is strategic. It’s a canonical “scary movie” that barely behaves like one, at least in the modern jump-scare economy. Kubrick’s dread works because it’s slow, domestic, and humiliating: a family frays in real time, and the supernatural elements feel less like plot than like a pressure system exposing fault lines. Leonard’s phrase “connection to the characters” is the tell. He’s arguing that horror hits harder when it risks intimacy. The shock lands not because something loud happens, but because it happens to someone you’ve been trained to recognize as human.
There’s also a quiet bit of self-positioning here. Leonard is forever linked to The Blair Witch Project, a film famous for making character feel immediate even as it weaponizes minimal backstory and raw panic. His comment reads like a defense of that lane of horror: scare me, yes, but earn it. The subtext is a demand for craft over content, for dread that lingers because it attaches to people, not just images.
Quote Details
| Topic | Movie |
|---|
More Quotes by Joshua
Add to List
