"In life, there are no perfect affections"
About this Quote
Merrill’s line refuses the comforting myth that love, loyalty, even devotion can be made clean. “Affections” isn’t the grand, cinematic “Love” that people swear by in public; it’s plural, everyday, and slightly formal, the way you might describe a family bond, a friendship that’s drifted, a romance that keeps bruising but doesn’t quite break. By choosing that word, Merrill tilts the sentence toward lived texture: attachment as something practiced, revised, compromised.
The quiet violence is in “perfect.” It’s a moral word masquerading as an aesthetic one, suggesting both flawlessness and purity. Merrill punctures it with a flat, almost bureaucratic negation: “there are no.” No melodrama, no consoling workaround. The effect is bracing because it treats disappointment not as a personal failure but as the baseline condition. If your affections feel messy - streaked with jealousy, boredom, duty, calculation - you’re not uniquely damaged; you’re simply alive.
Subtextually, the line also reads like a warning against sentimentality, especially the kind that turns relationships into proofs of virtue. Merrill’s work often moves in the pressure zone between intimacy and artifice, where desire and performance overlap. “No perfect affections” acknowledges that even our best feelings carry selfishness, fear, and blind spots. That’s not cynicism for sport; it’s an ethics of honesty. It makes room for tenderness without demanding sainthood, and for commitment without the lie that commitment erases ambivalence.
The quiet violence is in “perfect.” It’s a moral word masquerading as an aesthetic one, suggesting both flawlessness and purity. Merrill punctures it with a flat, almost bureaucratic negation: “there are no.” No melodrama, no consoling workaround. The effect is bracing because it treats disappointment not as a personal failure but as the baseline condition. If your affections feel messy - streaked with jealousy, boredom, duty, calculation - you’re not uniquely damaged; you’re simply alive.
Subtextually, the line also reads like a warning against sentimentality, especially the kind that turns relationships into proofs of virtue. Merrill’s work often moves in the pressure zone between intimacy and artifice, where desire and performance overlap. “No perfect affections” acknowledges that even our best feelings carry selfishness, fear, and blind spots. That’s not cynicism for sport; it’s an ethics of honesty. It makes room for tenderness without demanding sainthood, and for commitment without the lie that commitment erases ambivalence.
Quote Details
| Topic | Love |
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