"In many ways, Viv and I were the only ones who were really songwriters"
About this Quote
There’s a quietly barbed modesty in Neil Innes’s “In many ways, Viv and I were the only ones who were really songwriters” - a line that sounds like a shrug while sharpening a boundary. The hedge (“in many ways”) performs diplomacy, but the claim is territorial: songwriting isn’t just contributing ideas, it’s authorship, craft, and the unglamorous labor of turning chaos into a finished tune. Innes is drawing a line between the people who generate the band’s raw energy and the people who can translate that energy into something repeatable, saleable, and creditable.
The subtext is the familiar friction inside collaborative comedy and rock worlds: everyone wants to feel essential, but only a few roles come with durable ownership. Bands, especially those built on anarchic performance and shared mythmaking, often blur the difference between being funny onstage and building the musical machine that makes the joke land. By narrowing the title “really songwriters” to himself and Viv, Innes quietly re-centers the narrative around composition rather than persona.
Context matters because Innes lived in the slipstream of bigger spotlights - comedy ensembles, rock pastiche, and projects where the public often remembers the concept more than the credits. The sentence reads like a corrective, not a boast: an attempt to restore proportion after years of being treated as a lovable accessory to someone else’s legend. It’s also an artist’s insistence that craft deserves its own kind of respect, even when the audience came for the punchline.
The subtext is the familiar friction inside collaborative comedy and rock worlds: everyone wants to feel essential, but only a few roles come with durable ownership. Bands, especially those built on anarchic performance and shared mythmaking, often blur the difference between being funny onstage and building the musical machine that makes the joke land. By narrowing the title “really songwriters” to himself and Viv, Innes quietly re-centers the narrative around composition rather than persona.
Context matters because Innes lived in the slipstream of bigger spotlights - comedy ensembles, rock pastiche, and projects where the public often remembers the concept more than the credits. The sentence reads like a corrective, not a boast: an attempt to restore proportion after years of being treated as a lovable accessory to someone else’s legend. It’s also an artist’s insistence that craft deserves its own kind of respect, even when the audience came for the punchline.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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