"In modern Russia, you have no official, formal assessment of this past. Nobody in any Russian document has said that the policy of the Soviet government was criminal, that it was terrible. No one has ever said this"
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The sting in Kapuscinski's line is how calmly it indicts. He doesn't accuse Russia of lying; he points to something more structurally corrosive: the refusal to name. "No official, formal assessment" is bureaucratic language deployed like a scalpel, exposing how power launders history through paperwork. The point isn't that individuals in Russia don't know what happened. It's that the state, by withholding a stamped verdict, keeps the past in a usable, elastic form.
Kapuscinski, a reporter trained in the moral weather of empires, understands that regimes don't just control archives; they control the grammar of public memory. To say "criminal" would be to assign agency, victims, perpetrators, and therefore obligations: restitution, apology, a new national narrative that doesn't treat Soviet violence as unfortunate scenery on the road to greatness. Silence becomes policy. The absence he describes is not a gap in scholarship but a deliberate political asset, allowing nostalgia and pride to coexist with mass repression untroubled by legal or ethical clarity.
The repetition of "Nobody... No one... No one" reads like a drumbeat of institutional evasion. It's also a warning about what happens after authoritarianism "ends" without a reckoning: the old apparatus may dissolve, but its habits remain. In that context, memory isn't a museum question; it's a live instrument of legitimacy. If the state never calls the Soviet project "terrible", it preserves the option to rehabilitate its methods whenever the present demands them.
Kapuscinski, a reporter trained in the moral weather of empires, understands that regimes don't just control archives; they control the grammar of public memory. To say "criminal" would be to assign agency, victims, perpetrators, and therefore obligations: restitution, apology, a new national narrative that doesn't treat Soviet violence as unfortunate scenery on the road to greatness. Silence becomes policy. The absence he describes is not a gap in scholarship but a deliberate political asset, allowing nostalgia and pride to coexist with mass repression untroubled by legal or ethical clarity.
The repetition of "Nobody... No one... No one" reads like a drumbeat of institutional evasion. It's also a warning about what happens after authoritarianism "ends" without a reckoning: the old apparatus may dissolve, but its habits remain. In that context, memory isn't a museum question; it's a live instrument of legitimacy. If the state never calls the Soviet project "terrible", it preserves the option to rehabilitate its methods whenever the present demands them.
Quote Details
| Topic | Justice |
|---|---|
| Source | Help us find the source |
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