"In my teens or twenties I wanted to do Blanche. Now I'm over that. Those roles are not attracting me now. Which is odd, because that's what most every actress would want to go do"
About this Quote
There’s a quiet, almost mischievous defiance in Burke admitting she no longer wants Blanche DuBois - the prestige role every acting student is trained to covet. Blanche is the Mount Everest of trembling vulnerability: a character built to showcase range, suffering, and the actor’s willingness to be torn open in public. Burke’s twist is that she’s refusing the cultural script that says a “serious” actress proves herself by enduring that kind of theatrical martyrdom.
The line “I’m over that” isn’t just taste changing; it’s a boundary. When she adds, “Those roles are not attracting me now,” she frames desire as something that evolves, not something you owe an industry. There’s subtext here about maturity and self-protection: in your twenties, pain can feel like currency, and intensity can feel like legitimacy. Later, the calculus shifts. You start asking what a role takes from you, not just what it adds to your resume.
Her last sentence does the most work: “Which is odd, because that’s what most every actress would want to go do.” Burke anticipates the judgment - that turning down Blanche reads like ingratitude or fear - and she preemptively punctures it. The “odd” is a wink at the prestige economy: the way certain roles become compulsory rites of passage, especially for women, as if proving artistry requires self-immolation. In a business that rewards extremes, Burke’s real flex is choosing appetite over obligation.
The line “I’m over that” isn’t just taste changing; it’s a boundary. When she adds, “Those roles are not attracting me now,” she frames desire as something that evolves, not something you owe an industry. There’s subtext here about maturity and self-protection: in your twenties, pain can feel like currency, and intensity can feel like legitimacy. Later, the calculus shifts. You start asking what a role takes from you, not just what it adds to your resume.
Her last sentence does the most work: “Which is odd, because that’s what most every actress would want to go do.” Burke anticipates the judgment - that turning down Blanche reads like ingratitude or fear - and she preemptively punctures it. The “odd” is a wink at the prestige economy: the way certain roles become compulsory rites of passage, especially for women, as if proving artistry requires self-immolation. In a business that rewards extremes, Burke’s real flex is choosing appetite over obligation.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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