"In Stratford you either turn into an alcoholic or you better write"
About this Quote
Stratford, here, isn’t just a dot on the map; it’s a pressure cooker with footlights. Christopher Plummer’s line lands like a backstage aside: half-joke, half-warning, the kind of gallows humor actors use to make an unforgiving routine feel survivable. Stratford (read: the Stratford Festival world, the Shakespeare-industrial complex of repertory theatre) becomes a place where you’re trapped in close quarters with ambition, ego, discipline, and boredom in the same day. In that environment, you need an outlet. If you don’t make one, you’ll take one.
The binary is the point. “Either turn into an alcoholic” isn’t meant as a literal census; it’s a caricature that exposes a real gravitational pull in theatre culture: long runs, nightly performance adrenaline, the social life built around bars, the intimacy and isolation of a company town. Plummer implies that craft without authorship can feel like living in someone else’s words forever. “You better write” is both practical advice and a quiet rebuke. Don’t just interpret; generate. Don’t just cope; transmute.
The sting is that writing isn’t framed as lofty self-expression but as harm reduction. He’s puncturing romantic myths of the actor’s life while admitting the temptations that come with it. It’s a line that respects the theatre enough to tell the truth about its collateral damage: if you don’t build a voice of your own, the place will hand you a drink and call it community.
The binary is the point. “Either turn into an alcoholic” isn’t meant as a literal census; it’s a caricature that exposes a real gravitational pull in theatre culture: long runs, nightly performance adrenaline, the social life built around bars, the intimacy and isolation of a company town. Plummer implies that craft without authorship can feel like living in someone else’s words forever. “You better write” is both practical advice and a quiet rebuke. Don’t just interpret; generate. Don’t just cope; transmute.
The sting is that writing isn’t framed as lofty self-expression but as harm reduction. He’s puncturing romantic myths of the actor’s life while admitting the temptations that come with it. It’s a line that respects the theatre enough to tell the truth about its collateral damage: if you don’t build a voice of your own, the place will hand you a drink and call it community.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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