"In television, everything is gone with the speed of light, literally. It is no field for anybody with intimations of immortality"
About this Quote
Kuralt nails television’s oldest trick: making disappearance feel like progress. “Gone with the speed of light, literally” isn’t just a cute physics flex; it’s a reminder that TV’s basic unit is transmission, not preservation. The image hits because it collapses the medium’s glamour into something cold and mechanical: a signal racing outward, already vanishing as it arrives. You can be seen everywhere and still leave almost nothing behind.
The second sentence turns that technical fact into a moral diagnosis. “No field for anybody with intimations of immortality” sounds like a gentle warning, but it’s also a jab at ego. Television invites you to mistake attention for legacy. Kuralt, a journalist whose career depended on broadcast reach, is self-implicating here: he knows the seduction of a mass audience, and he knows how quickly the audience moves on. The word “intimations” matters; it suggests even a faint hope of permanence is incompatible with a format built for immediacy, replacement, and the next segment.
Context sharpens the cynicism. Kuralt worked in an era when TV was the national campfire, before the internet’s infinite archive and algorithmic reruns. Yet his point has only ripened: today’s screens promise “forever” through clips and feeds, but they still operate on the same principle of disposability. TV fame, like light, travels fast and keeps going, indifferent to who first emitted it. The medium doesn’t hate immortality; it simply has no use for it.
The second sentence turns that technical fact into a moral diagnosis. “No field for anybody with intimations of immortality” sounds like a gentle warning, but it’s also a jab at ego. Television invites you to mistake attention for legacy. Kuralt, a journalist whose career depended on broadcast reach, is self-implicating here: he knows the seduction of a mass audience, and he knows how quickly the audience moves on. The word “intimations” matters; it suggests even a faint hope of permanence is incompatible with a format built for immediacy, replacement, and the next segment.
Context sharpens the cynicism. Kuralt worked in an era when TV was the national campfire, before the internet’s infinite archive and algorithmic reruns. Yet his point has only ripened: today’s screens promise “forever” through clips and feeds, but they still operate on the same principle of disposability. TV fame, like light, travels fast and keeps going, indifferent to who first emitted it. The medium doesn’t hate immortality; it simply has no use for it.
Quote Details
| Topic | Mortality |
|---|---|
| Source | Help us find the source |
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