"In terms of writing about horses, I fell backwards into that. I was intent on getting a Ph.D., becoming a professor, and writing on history but I got sick 14 years ago when I was 19. Getting sick derailed that plan completely"
About this Quote
Accident, not destiny, is doing the heavy lifting here: Hillenbrand frames her career not as a calling answered but as a plan interrupted. “Fell backwards” is a deliberately unromantic verb choice, almost comic in its physicality, a little slapstick for a life-altering pivot. It undercuts the mythology of the Writer Who Always Knew and replaces it with something harsher and more modern: the resume shaped by contingency, not ambition.
The specificity matters. She names the old track in institutional terms - Ph.D., professor, history - a laddered, credentialed future. Then she drops “I got sick” like a trapdoor. No flourish, no melodrama, just a blunt clause that refuses to perform inspiration. That restraint is the subtext: illness isn’t an aesthetic, it’s a force that rearranges time and possibility. “Derailed” completes the metaphor: the plan was a vehicle moving forward, and sickness wasn’t a detour, it was impact.
Context deepens the line’s bite. Hillenbrand became famous for Seabiscuit and later Unbroken, books powered by exhaustive research and narrative propulsion - feats made more startling by her long struggle with chronic fatigue syndrome. Horses, in this light, aren’t quaint subject matter; they’re an alternate route into history and endurance, a way to write about motion and survival while living with physical constraint.
The intent feels twofold: to demystify authorship and to quietly insist on adaptation as craft. The career “derailed,” but the storyteller didn’t disappear; she just learned to write from the wreckage, turning limitation into a different kind of rigor.
The specificity matters. She names the old track in institutional terms - Ph.D., professor, history - a laddered, credentialed future. Then she drops “I got sick” like a trapdoor. No flourish, no melodrama, just a blunt clause that refuses to perform inspiration. That restraint is the subtext: illness isn’t an aesthetic, it’s a force that rearranges time and possibility. “Derailed” completes the metaphor: the plan was a vehicle moving forward, and sickness wasn’t a detour, it was impact.
Context deepens the line’s bite. Hillenbrand became famous for Seabiscuit and later Unbroken, books powered by exhaustive research and narrative propulsion - feats made more startling by her long struggle with chronic fatigue syndrome. Horses, in this light, aren’t quaint subject matter; they’re an alternate route into history and endurance, a way to write about motion and survival while living with physical constraint.
The intent feels twofold: to demystify authorship and to quietly insist on adaptation as craft. The career “derailed,” but the storyteller didn’t disappear; she just learned to write from the wreckage, turning limitation into a different kind of rigor.
Quote Details
| Topic | Health |
|---|---|
| Source | Help us find the source |
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