"In that, Blade 2 is very much like a rock concert... if it's too loud, you're too old"
About this Quote
Del Toro slips a little mischief into what looks like a throwaway compliment to his own movie. Comparing Blade 2 to a rock concert isn’t just about volume or speed; it’s a claim about the kind of art the film wants permission to be. A concert is judged in the body first: the thump in the chest, the sweat, the communal adrenaline. By invoking that standard, del Toro reframes “too much” as the point. Excess becomes craftsmanship.
The sting is in the tag: “if it’s too loud, you’re too old.” It’s a borrowed heckle, weaponized as a cultural sorting mechanism. If you complain about the noise, you aren’t offering critique; you’re revealing yourself as someone who’s fallen out of the target demographic, out of the moment, maybe out of the willingness to be overwhelmed. Del Toro’s intent isn’t to flatter youth so much as to defend sensation against respectability. Horror and action, especially comic-book hybrids, routinely get scolded for being juvenile; he counters by implying that the scolds are the ones who’ve become limited.
Context matters: Blade 2 sits in that early-2000s zone where superhero cinema hadn’t yet been polished into “prestige IP.” Del Toro, a maximalist romantic with monster-movie bona fides, is staking a claim for genre as a legitimate arena for style, violence, and pulp poetry. The subtext: if you want subtlety, go elsewhere. If you want to feel something at full volume, step closer to the speakers.
The sting is in the tag: “if it’s too loud, you’re too old.” It’s a borrowed heckle, weaponized as a cultural sorting mechanism. If you complain about the noise, you aren’t offering critique; you’re revealing yourself as someone who’s fallen out of the target demographic, out of the moment, maybe out of the willingness to be overwhelmed. Del Toro’s intent isn’t to flatter youth so much as to defend sensation against respectability. Horror and action, especially comic-book hybrids, routinely get scolded for being juvenile; he counters by implying that the scolds are the ones who’ve become limited.
Context matters: Blade 2 sits in that early-2000s zone where superhero cinema hadn’t yet been polished into “prestige IP.” Del Toro, a maximalist romantic with monster-movie bona fides, is staking a claim for genre as a legitimate arena for style, violence, and pulp poetry. The subtext: if you want subtlety, go elsewhere. If you want to feel something at full volume, step closer to the speakers.
Quote Details
| Topic | Movie |
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