"In the information age, you don't teach philosophy as they did after feudalism. You perform it. If Aristotle were alive today he'd have a talk show"
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Leary’s line is a dare disguised as a media observation: if ideas want to survive in the information age, they have to learn the choreography of attention. “You perform it” is doing double duty. It’s a critique of the old classroom model (philosophy as slow apprenticeship, guarded by institutions) and a self-justification for Leary’s own career as a psychedelic evangelist who treated consciousness like a public experiment. He’s not mourning the collapse of the seminar; he’s celebrating the rise of the stage.
The feudalism reference is a sharp historical shortcut. Post-feudal Europe built universities, professionalized knowledge, and trained elites to interpret the world. Leary suggests that structure doesn’t map onto a culture flooded with signals, where authority is less “earned” than “broadcast.” In that landscape, philosophy isn’t primarily argument; it’s packaging. The subtext is slightly cynical: truth is no longer enough. You need format, persona, spectacle.
The Aristotle talk-show image lands because it’s both funny and unsettling. It flatters our sense that ancient genius would obviously dominate modern media, while also implying that modern media would domesticate genius into segments, ratings, and applause lines. Leary’s provocation is that the talk show isn’t an insult to philosophy; it’s the new agora. But it also smuggles a warning: when philosophy becomes performance, the performer’s charisma can start substituting for the philosophy itself. In 1960s-90s America, with television, celebrity intellectuals, and culture wars over drugs and freedom, Leary knew exactly how combustible that trade-off could be.
The feudalism reference is a sharp historical shortcut. Post-feudal Europe built universities, professionalized knowledge, and trained elites to interpret the world. Leary suggests that structure doesn’t map onto a culture flooded with signals, where authority is less “earned” than “broadcast.” In that landscape, philosophy isn’t primarily argument; it’s packaging. The subtext is slightly cynical: truth is no longer enough. You need format, persona, spectacle.
The Aristotle talk-show image lands because it’s both funny and unsettling. It flatters our sense that ancient genius would obviously dominate modern media, while also implying that modern media would domesticate genius into segments, ratings, and applause lines. Leary’s provocation is that the talk show isn’t an insult to philosophy; it’s the new agora. But it also smuggles a warning: when philosophy becomes performance, the performer’s charisma can start substituting for the philosophy itself. In 1960s-90s America, with television, celebrity intellectuals, and culture wars over drugs and freedom, Leary knew exactly how combustible that trade-off could be.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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