"In the studio, I do try to have a thought in my head, so that it's not like a blank stare"
About this Quote
Her intent is partly technical. A “thought” becomes a tool to animate micro-expressions, to give the camera something to catch besides symmetry. But the subtext is sharper: modeling isn’t mindless, it’s performance labor. She’s describing a mental trick that turns the body into a readable story. The industry demands an image that feels alive while remaining tightly controlled; thinking is how you simulate spontaneity inside a highly choreographed setting.
Context matters. Crawford came up when the supermodel was becoming a celebrity brand, expected to project personality, not just wear clothes. The studio era she’s referencing prized polished stillness, yet also wanted “something behind the eyes” - a suggestion of inner life that viewers could desire, envy, or identify with. Her phrasing nods to the tightrope women in image-driven work are forced to walk: be present but not too present, expressive but not messy, human but not inconveniently complex.
The quote’s quiet cynicism is that even authenticity can be staged - and professionalism, here, includes learning how to look like you’re not trying.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Crawford, Cindy. (2026, January 17). In the studio, I do try to have a thought in my head, so that it's not like a blank stare. FixQuotes. https://fixquotes.com/quotes/in-the-studio-i-do-try-to-have-a-thought-in-my-53292/
Chicago Style
Crawford, Cindy. "In the studio, I do try to have a thought in my head, so that it's not like a blank stare." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/in-the-studio-i-do-try-to-have-a-thought-in-my-53292/.
MLA Style (9th ed.)
"In the studio, I do try to have a thought in my head, so that it's not like a blank stare." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/in-the-studio-i-do-try-to-have-a-thought-in-my-53292/. Accessed 12 Feb. 2026.

