"In the USA there is no female equivalent to god"
About this Quote
Tina Turner’s line lands like a backstage aside that somehow indicts an entire culture: the problem isn’t just theology, it’s the default settings of power. “In the USA there is no female equivalent to god” isn’t a Sunday-school complaint about pronouns; it’s a pop star’s blunt read on the stories America tells itself about authority, genius, and who gets to be treated as untouchable.
The phrasing matters. “Equivalent” frames gender not as a decorative tweak to language but as a missing rung in the hierarchy. If the highest symbol you can name is male, then maleness quietly becomes the measure of the absolute. Turner, who spent years being packaged, controlled, and publicly consumed, is speaking from inside the machinery that deifies men while asking women to be muses, bodies, or survivors. The subtext is transactional: when the culture’s god is male, women’s ambition is seen as imitation, not incarnation.
The USA detail sharpens the critique. Turner’s career was built in a country that sells liberation as a product yet clings to old biblical furniture in politics, celebrity, and family life. In the late 20th-century mainstream, “God” still coded as a father, a boss, a judge. A female god would imply a different moral imagination: creation without permission, authority without masculinity, reverence without submission to “dad.”
Coming from Turner, it’s also a sly reversal. She was called “The Queen of Rock ’n’ Roll,” but even queens are often allowed only as consorts to a kingly standard. Her sentence refuses that workaround. If the ceiling is literally divine, you can’t just lean in harder; you have to change the myth.
The phrasing matters. “Equivalent” frames gender not as a decorative tweak to language but as a missing rung in the hierarchy. If the highest symbol you can name is male, then maleness quietly becomes the measure of the absolute. Turner, who spent years being packaged, controlled, and publicly consumed, is speaking from inside the machinery that deifies men while asking women to be muses, bodies, or survivors. The subtext is transactional: when the culture’s god is male, women’s ambition is seen as imitation, not incarnation.
The USA detail sharpens the critique. Turner’s career was built in a country that sells liberation as a product yet clings to old biblical furniture in politics, celebrity, and family life. In the late 20th-century mainstream, “God” still coded as a father, a boss, a judge. A female god would imply a different moral imagination: creation without permission, authority without masculinity, reverence without submission to “dad.”
Coming from Turner, it’s also a sly reversal. She was called “The Queen of Rock ’n’ Roll,” but even queens are often allowed only as consorts to a kingly standard. Her sentence refuses that workaround. If the ceiling is literally divine, you can’t just lean in harder; you have to change the myth.
Quote Details
| Topic | God |
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