"In these litigious times, if you're a beginner, it's becoming harder and harder to get your work to the people who might actually be able to hire you"
About this Quote
“In these litigious times” is a throat-clearing phrase that lands like a sigh from inside the industry. Len Wein isn’t complaining about art; he’s naming the legal chill that settles over creative labor once lawyers start setting the temperature. The line has the cadence of someone who’s watched the pipeline from “kid with pages” to “paid professional” narrow over decades, not because talent vanished, but because risk management moved in.
The specific intent is pragmatic: a warning to newcomers that access is now the scarce commodity. Wein frames “beginner” not as a skill level but as a power position: the person least able to afford legal counsel, least able to navigate contracts, and most dependent on informal pathways (portfolio reviews, cold submissions, fan mail, conventions) that companies increasingly fence off. “Get your work to the people” is tellingly physical, almost pre-digital; it evokes the old comics ecosystem where showing pages could be a social transaction. Litigation turns that into a liability.
The subtext is sharper: gatekeeping can masquerade as safety. Corporate owners of IP don’t just fear plagiarism or nuisance suits; they fear being forced to acknowledge influence. So unsolicited work gets returned unopened, policies harden, and the very enthusiasm that once fed the medium becomes legally radioactive.
Context matters: Wein co-created characters in an era when creators were often under-credited and under-protected. His irony is quiet but pointed: the culture got more “professional,” yet the beginner’s path got less humane.
The specific intent is pragmatic: a warning to newcomers that access is now the scarce commodity. Wein frames “beginner” not as a skill level but as a power position: the person least able to afford legal counsel, least able to navigate contracts, and most dependent on informal pathways (portfolio reviews, cold submissions, fan mail, conventions) that companies increasingly fence off. “Get your work to the people” is tellingly physical, almost pre-digital; it evokes the old comics ecosystem where showing pages could be a social transaction. Litigation turns that into a liability.
The subtext is sharper: gatekeeping can masquerade as safety. Corporate owners of IP don’t just fear plagiarism or nuisance suits; they fear being forced to acknowledge influence. So unsolicited work gets returned unopened, policies harden, and the very enthusiasm that once fed the medium becomes legally radioactive.
Context matters: Wein co-created characters in an era when creators were often under-credited and under-protected. His irony is quiet but pointed: the culture got more “professional,” yet the beginner’s path got less humane.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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