"Inspiration could be called inhaling the memory of an act never experienced"
About this Quote
Rorem’s line makes inspiration sound less like a lightning bolt and more like a bodily reflex: inhaling. That verb matters. Breathing is involuntary, intimate, repetitive; it suggests art arrives through the bloodstream before it becomes an idea. Yet what’s being taken in is stranger than air: “the memory of an act never experienced.” He’s pointing at the paradox at the center of composition and, really, all making - the artist’s ability to feel nostalgia for something that hasn’t happened, to remember a scene, a desire, a climax, a grief, as if it already left a residue.
The subtext is a quiet rebuke to the macho mythology of originality. Rorem doesn’t frame inspiration as conquest or invention; he frames it as recollection. But it’s counterfeit recollection, a memory without a biography. That’s a composer’s insight: music regularly gives listeners emotional certainty without narrative proof. You can be devastated by a modulation and have no “reason” beyond the sound itself. Rorem turns that listener’s experience into the maker’s: the composer writes toward a feeling that seems pre-existing, like retrieving something from the unconscious rather than constructing it on graph paper.
Context sharpens it. Rorem, a diarist as well as a modernist with lyric instincts, lived in a century that fetishized technique while suspecting sentiment. This sentence splits the difference: inspiration is real, but it’s also a mirage you breathe in. The craft is in turning that phantom memory into a score others can “remember,” too.
The subtext is a quiet rebuke to the macho mythology of originality. Rorem doesn’t frame inspiration as conquest or invention; he frames it as recollection. But it’s counterfeit recollection, a memory without a biography. That’s a composer’s insight: music regularly gives listeners emotional certainty without narrative proof. You can be devastated by a modulation and have no “reason” beyond the sound itself. Rorem turns that listener’s experience into the maker’s: the composer writes toward a feeling that seems pre-existing, like retrieving something from the unconscious rather than constructing it on graph paper.
Context sharpens it. Rorem, a diarist as well as a modernist with lyric instincts, lived in a century that fetishized technique while suspecting sentiment. This sentence splits the difference: inspiration is real, but it’s also a mirage you breathe in. The craft is in turning that phantom memory into a score others can “remember,” too.
Quote Details
| Topic | Wisdom |
|---|
More Quotes by Ned
Add to List




