"Intelligence we gathered at the time indicated that this was in fact leadership and we struck the leadership"
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“Intelligence we gathered at the time” is doing the heavy lifting here, a bureaucratic Kevlar vest slipped over an act of violence. Peter Pace, speaking in the careful cadences of a senior military official, builds a sentence designed less to persuade than to pre-empt. The phrase “at the time” quietly concedes what it won’t admit outright: that the assessment may not have aged well. It’s a hedge that anticipates later scrutiny, a way of saying, Don’t judge us by what you know now.
Then comes the sterile alchemy of war-speak: “indicated” and “in fact” create the impression of certainty without offering evidence, while “leadership” functions as a moral shortcut. Leadership is not a person here; it’s a category. Targeting a category sounds strategic, necessary, even clean. It’s also conveniently elastic. If the strike hits the wrong people, the error can be framed as an “intelligence failure” rather than a human one.
The most telling move is the repetition: “this was in fact leadership and we struck the leadership.” The loop reads like self-justification, as if saying it twice can make it truer. Subtextually, Pace is speaking to two audiences: the public, who want reassurance that force is discriminating; and the institutional record, which demands language that can survive hearings, headlines, and history. It’s not poetry. It’s damage control written in real time.
Then comes the sterile alchemy of war-speak: “indicated” and “in fact” create the impression of certainty without offering evidence, while “leadership” functions as a moral shortcut. Leadership is not a person here; it’s a category. Targeting a category sounds strategic, necessary, even clean. It’s also conveniently elastic. If the strike hits the wrong people, the error can be framed as an “intelligence failure” rather than a human one.
The most telling move is the repetition: “this was in fact leadership and we struck the leadership.” The loop reads like self-justification, as if saying it twice can make it truer. Subtextually, Pace is speaking to two audiences: the public, who want reassurance that force is discriminating; and the institutional record, which demands language that can survive hearings, headlines, and history. It’s not poetry. It’s damage control written in real time.
Quote Details
| Topic | War |
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